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The Knossos labyrinth : a new view of the "Palace of Minos" at Knosos
1. The legendary Knossos -- 2. The discovery of the labyrinth -- 3. Arthur Evans and the 1900 dig at Knossos -- 4. The neolithic and pre-palace periods at Knossos -- 5. The bronze age palace : Sir Arthur Evans' interpretation -- 6. Wunderlich's 'Palace of the dead' -- 7. The temp...
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| Document Type: | Online Resource Book |
|---|---|
| Language: | English |
| Published: |
London ; New York
: Routledge
, 1990
|
| Subjects: | |
| Online Access: | lizenzpflichtig |
| Related Items: | Erscheint auch als:
Knossos labyrinth |
| Author Notes: | Rodney Castleden; illustrated by the author |
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| 245 | 1 | 4 | |a The Knossos labyrinth |b a new view of the "Palace of Minos" at Knosos |c Rodney Castleden; illustrated by the author |
| 264 | 1 | |a London |a New York |b Routledge |c 1990 | |
| 300 | |a Online Ressource (xi, 205 pages, [12] pages of plates) |b illustrations | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references (pages 191-196) and index. - Print version record | ||
| 520 | |a 1. The legendary Knossos -- 2. The discovery of the labyrinth -- 3. Arthur Evans and the 1900 dig at Knossos -- 4. The neolithic and pre-palace periods at Knossos -- 5. The bronze age palace : Sir Arthur Evans' interpretation -- 6. Wunderlich's 'Palace of the dead' -- 7. The temple of the goddesses -- 8. Beyond the labyrinth walls -- 9. The lady of the labyrinth -- 10. The bull dance -- 11. The Thera eruption -- 12. The fall of the labyrinth -- 13. The journey of the soul. | ||
| 520 | |a Knossos, like the Acropolis or Stonehenge, is a symbol for an entire culture. The Knossos Labyrinth was first built in the reign of a Middle Kingdom Egyptian pharaoh, and was from the start the focus of a glittering and exotic culture. Homer left elusive clues about the Knossian court and when the lost site of Knossos gradually re-emerged from obscurity in the nineteenth century, the first excavators - Minos Kalokairinos, Heinrich Schliemann, and Arthur Evans - were predisposed to see the site through the eyes of the classical Show moreauthors. Rodney Castleden argues that this line of thought was a false trail and gives an alternative insight into the labyrinth which is every bit as exciting as the traditional explanations, and one which he believes is much closer to the truth. Rejecting Evans' view of Knossos as a bronze age royal palace, Castleden puts forward alternative interpretations - that the building was a necropolis or a temple - and argues that the temple interpretation is the most satisfactory in the light of modern archaeological knowledge about Minoan Crete | ||
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