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Personal styles in early Cycladic sculpture
"Personal Styles in Early Cycladic Sculpture represents the culmination of thirty-five years of study. Pat Getz-Gentle offers here much new material and many fresh insights into a tradition, rooted in the Neolithic period, that spanned most of the third millennium B.C. She begins with a review...
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| Document Type: | Online Resource Book |
|---|---|
| Language: | English |
| Published: |
Madison
: University of Wisconsin Press
, [2001]
|
| Series: | Wisconsin studies in classics
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| Subjects: | |
| Online Access: | lizenzpflichtig |
| Author Notes: | Pat Getz-Gentle; with a chapter by Jack de Vries |
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| 245 | 0 | 0 | |a Personal styles in early Cycladic sculpture |c Pat Getz-Gentle; with a chapter by Jack de Vries |
| 264 | 1 | |a Madison |b University of Wisconsin Press |c [2001] | |
| 300 | |a Online Ressource (xxi, 190 pages, 136 unnumbered pages of plates) |b illustrations, maps. | ||
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| 500 | |a Includes bibliographical references (pages [171]-172) and index. - Description based on print version record | ||
| 505 | 8 | |a Ch. 1. Before the Arms Were Folded: Cycladic Sculpture from the Late Neolithic through the Transitional Early Cycladic I/II PhaseCh. 2. The Reclining Folded-Arm Figure and Its Varieties: Cycladic Sculpture of the Early Cycladic II Period -- Ch. 3. Sculptors of Early Cycladic I Plastiras Figures -- Ch. 4. Sculptors of Early Cycladic II Reclining Folded-Arm Figures -- Ch. 5. Pattern and Precision: Taking the Measure of Early Cycladic II Spedos Variety Figures / Jack de Vries -- Checklists of Twenty Sculptors. | |
| 520 | |a "Personal Styles in Early Cycladic Sculpture represents the culmination of thirty-five years of study. Pat Getz-Gentle offers here much new material and many fresh insights into a tradition, rooted in the Neolithic period, that spanned most of the third millennium B.C. She begins with a review of this tradition, placing particular emphasis on the stages leading to the reclining figure with folded arms that is the unique and quintessential icon of the early Bronze Age culture at the center of the Aegean. She then focuses on the styles of fifteen sculptors, several of whom are identified and discussed for the first time in this volume. By introducing little-known pieces attributable to these sculptors, she illuminates various phases of their artistic development."--BOOK JACKET | ||
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