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The color of stone : sculpting the black female subject in nineteenth-century America
In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpturecolor. Considering three major worksHiram Powerss Greek Slave, William Wetmore Storys Cleopatra, and Edmonia Lewiss Death of Cleopatrashe explores the intersection of race, sex...
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| Main Author: | |
|---|---|
| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Minneapolis
: University of Minnesota Press
, 2007
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| Subjects: | |
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.ctttv20h |
| Related Items: | Print version:
Color of stone |
| Author Notes: | Charmaine A. Nelson |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
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| 245 | 1 | 4 | |a The color of stone |b sculpting the black female subject in nineteenth-century America |c Charmaine A. Nelson |
| 264 | 1 | |a Minneapolis |b University of Minnesota Press |c 2007 | |
| 300 | |a 1 Online-Ressource (xxxv, 234 pages) | ||
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| 505 | 8 | |a Dismembering the flock : difference and the "lady-artists" -- "Taste" and the practices of cultural tourism : vision, proximity, and commemoration -- "So pure and celestial a light" : sculpture, marble, and whiteness as a privileged racial signifier -- White slaves and Black masters : appropriation and disavowal in Hiram Powers's Greek slave -- The color of slavery : degrees of blackness and the bodies of female slaves -- Racing the body : reading blackness in William Wetmore Story's Cleopatra -- The Black queen in the White body : Edmonia Lewis and the dead queen Conclusion : neoclassicism and the politics of race. | |
| 520 | |a In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpturecolor. Considering three major worksHiram Powerss Greek Slave, William Wetmore Storys Cleopatra, and Edmonia Lewiss Death of Cleopatrashe explores the intersection of race, sex, and class to reveal the meanings each work holds in terms of colonial histories of visual representation | ||
| 648 | 4 | |a 1800-1899 | |
| 650 | 0 | |a Sculpture, Neoclassical |z United States | |
| 650 | 0 | |a Figure sculpture, American |y 19th century | |
| 650 | 0 | |a Marble sculpture, American |y 19th century | |
| 650 | 0 | |a Sculpture, Neoclassical | |
| 650 | 0 | |a Figure sculpture, American | |
| 650 | 0 | |a Marble sculpture, American | |
| 650 | 0 | |a Race in art | |
| 650 | 0 | |a Women, Black, in art | |
| 650 | 4 | |a ART ; History ; General | |
| 650 | 4 | |a ART ; Sculpture & Installation | |
| 650 | 4 | |a United States | |
| 650 | 4 | |a Sculpture de figures humaines américaine - 19e siècle | |
| 650 | 4 | |a Sculpture en marbre américaine - 19e siècle | |
| 650 | 4 | |a Sculpture néoclassique - États-Unis | |
| 650 | 4 | |a Race dans l'art | |
| 650 | 4 | |a Femmes noires dans l'art | |
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