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The color of stone : sculpting the black female subject in nineteenth-century America
In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpturecolor. Considering three major worksHiram Powerss Greek Slave, William Wetmore Storys Cleopatra, and Edmonia Lewiss Death of Cleopatrashe explores the intersection of race, sex...
Wedi'i Gadw mewn:
| Prif Awdur: | |
|---|---|
| Fformat: | Online Resource Llyfr |
| Iaith: | English |
| Cyhoeddwyd: |
Minneapolis
: University of Minnesota Press
, 2007
|
| Mynediad Ar-lein: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.ctttv20h |
| Eitemau Perthynol: | Print version:
Color of stone |
| Nodiadau'r Awdur: | Charmaine A. Nelson |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
Tabl Cynhwysion:
- Dismembering the flock : difference and the "lady-artists"
- "Taste" and the practices of cultural tourism : vision, proximity, and commemoration
- "So pure and celestial a light" : sculpture, marble, and whiteness as a privileged racial signifier
- White slaves and Black masters : appropriation and disavowal in Hiram Powers's Greek slave
- The color of slavery : degrees of blackness and the bodies of female slaves
- Racing the body : reading blackness in William Wetmore Story's Cleopatra
- The Black queen in the White body : Edmonia Lewis and the dead queen Conclusion : neoclassicism and the politics of race.
