The Learned Eye : Regarding Art, Theory, and the Artist's Reputation

Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His MasterPart III: The Artist's Reputation; 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession; 'Das We...

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Bibliographic Details
Main Author: Van den Doel, Marieke (Author)
Document Type: Online Resource Book
Language:English
Published: Amsterdam : Amsterdam University Press , 2005
Series:Rembrandt
Subjects:
Wetering, Ernst van de <1938->
Niederlande
Kunst
Gelehrsamkeit
Geschichte 1600-1700
Wetering, Ernst van de
Bibliografie
Festschrift
Online Access:http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt46mw0p
Related Items:Erscheint auch als: The learned eye
E-Book Packages:JSTOR E-Books in Art, Design and Photography
Description
Summary:Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His MasterPart III: The Artist's Reputation; 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession; 'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria; Crossing the Wall of History. Etienne Deléc
Table of Contents; Introduction; The Learned Eye; Biography of Ernst van de Wetering; Part I: The Work of Art; In the Beginning There Was Red; The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses; Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston; The Portrait of Theodorus Schrevelius; Part II: The Rules of Art; The Contours in the Paintings of the Oranjezaal, Huis ten Bosch; Aelbert Cuyp's Innovative Use of Spatial Devices; Colour Symbolism in Seventeenth-Century Dutch Painting
Table of Contents; Introduction; The Learned Eye; Biography of Ernst van de Wetering; Part I: The Work of Art; In the Beginning There Was Red; The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses; Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston; The Portrait of Theodorus Schrevelius; Part II: The Rules of Art; The Contours in the Paintings of the Oranjezaal, Huis ten Bosch; Aelbert Cuyp's Innovative Use of Spatial Devices; Colour Symbolism in Seventeenth-Century Dutch Painting
Physical Description:1 Online-Ressource (229 pages)
ISBN:9789053567135
9048505380
9053567135
9789048505388

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