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Hiding making - showing creation : the studio from Turner to Tacita Dean
"The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relat...
Gespeichert in:
| Mitwirkende: | |
|---|---|
| Dokumenttyp: | Online-Ressource Buch |
| Sprache: | English |
| Veröffentlicht: |
s.l.
: Amsterdam University Press
, 2013
|
| Online Zugang: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt6wp7vb |
| Verantwortlich: | edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann |
| E-Book-Pakete: | JSTOR E-Books in Art, Design and Photography |
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| 245 | 0 | 0 | |a Hiding making - showing creation |b the studio from Turner to Tacita Dean |c edited by Rachel Esner, Sandra Kisters, Ann-Sophie Lehmann |
| 264 | 1 | |a s.l. |b Amsterdam University Press |c 2013 | |
| 300 | |a 1 Online-Ressource (1 electronic resource (300 pages))) | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |t Introduction |r Rachel Esner, Sandra Kisters and Ann-Sophie Lehmann |
| 505 | 8 | 0 | |t PART I: Introduction: Old and New Studio Topoi in the Nineteenth Century |r Sandra Kisters |
| 505 | 8 | 0 | |t Studio Matters: Materials, Instruments and Artistic Processes |r Monika Wagner |
| 505 | 8 | 0 | |t Jean-Léon Gérôme, His Badger and His Studio |r Matthias Krüger |
| 505 | 8 | 0 | |t Showing Making in Courbet's The Painter's Studio |r Petra ten-Doesschate Chu |
| 505 | 8 | 0 | |t Making and Creating. The Painted Palette in Late Nineteenth-Century Dutch Painting |r Terry van Druten |
| 505 | 8 | 0 | |t 14, rue de La Rochefoucauld. The Partial Eclipse of Gustave Moreau |r Maar ten Liefooghe |
| 505 | 8 | 0 | |t The Artist as Centerpiece. The Image of the Artist in Studio Photographs of the Nineteenth Century |r Mayken Jonkman |
| 505 | 8 | 0 | |t PART II: Introduction: Forms and Functions of the Studio from the Twentieth Century to Today |r Rachel Esner |
| 505 | 8 | 0 | |t The Studio as Mediator |r Frank Reijnders |
| 505 | 8 | 0 | |t Accrochage in Architecture: Photographic Representations of Theo van Doesburg's Studios and Paintings |r Matthias Noe ll |
| 505 | 8 | 0 | |t Studio, Storage, Legend. The Work of Hiding in Tacita Dean's Section Cinema (Homage to Marcel Broodthaers) |r Beatrice von Bismarck |
| 505 | 8 | 0 | |t The Empty Studio: Bruce Nauman's Studio Films |r Eric de Bruyn |
| 505 | 8 | 0 | |t Home Improvement and Studio Stupor. On Gregor Schneider's (Dead) House ur |r Wouter Davidts |
| 505 | 8 | 0 | |t Staging the Studio: Enacting Artful Realities through Digital Photography |r Sarah de Rijcke |
| 505 | 8 | 0 | |t Epilogue: "Good Art Theory Must Smell of the Studio" |r Ann-Sophie Lehmann. |
| 520 | |a "The artist, at least according to Honoré de Balzac, is at work when he seems to be at rest; his labor is not labor but repose. This observation provides a model for modern artists and their relationship to both their place of work-the studio-and what they do there. Examining the complex relationship between process, product, artistic identity, and the artist's studio-in all its various manifestations-the contributors to this volume consider the dichotomy between conceptual and material aspects of art production. The various essays also explore the studio as a form of inspiration, meaning, function, and medium, from the nineteenth century up to the present."--Publisher's description | ||
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| 650 | 0 | |a Artists' studios in art | |
| 650 | 0 | |a Artists' studios | |
| 650 | 4 | |a ART ; Criticism & Theory | |
| 650 | 4 | |a ART ; General | |
| 650 | 4 | |a The arts | |
| 650 | 4 | |a The arts: general issues | |
| 650 | 4 | |a Theory of art | |
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