載入...
Digital art and meaning : reading kinetic poetry, text machines, mapping art, and interactive installations
In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counter hype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to...
Saved in:
| 主要作者: | |
|---|---|
| 格式: | Online Resource 圖書 |
| 語言: | English |
| 出版: |
Minneapolis
: University of Minnesota Press
, 2011
|
| 叢編: | Electronic mediations
35 |
| 主題: | |
| 在線閱讀: | http://kunst.proxy.fid-lizenzen.de/fid/upso-ebooks-art/dx.doi.org/10.5749/minnesota/9780816667376.001.0001 |
| 相關項目: | Erscheint auch als:
Digital art and meaning |
| 作者筆記: | Roberto Simanowski |
| E-Book Packages: | Oxford University Press : Minnesota Scholarship Online / Art |
| 總結: | In a world increasingly dominated by the digital, the critical response to digital art generally ranges from hype to counter hype. Popular writing about specific artworks seldom goes beyond promoting a given piece and explaining how it operates, while scholars and critics remain unsure about how to interpret and evaluate them. This book aims to demonstrate how such critical work can be done, offering close readings of varied examples from genres of digital art such as kinetic concrete poetry, computer-generated text, interactive installation, mapping art, and information sculpture. |
|---|---|
| 實物描述: | Online-Ressource (1 online resource (xiii, 291 pages)) |
| ISBN: | 9781452946788 |
