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Magic art

"What is "Magic Art"? In 1953, André Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws up...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
VerfasserIn: Breton, André (VerfasserIn)
Mitwirkende: Legrand, Gérard (MitwirkendeR)
Shehu-Ansell, Robert (HerausgeberIn)
Cox, Merlin (HerausgeberIn)
Dokumenttyp: Buch
Sprache:English
French
Veröffentlicht: Lopen, Somerset : Fulgur Press , 2024
Schlagwörter:
Online Zugang:Inhaltsverzeichnis
Verantwortlich:André Breton ; with the assistance of Gérard Legrand ; edited by Robert Shehu-Ansell, Merlin Cox ; translated by Michael Richardson, Krzysztof Fijalkowski and Dawn Ades ; texts by Anne Egger, Krzysztof Fijalkowski, Gérard Legrand, Kristoffer Noheden, Michael Richardson
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245 1 0 |a Magic art  |c André Breton ; with the assistance of Gérard Legrand ; edited by Robert Shehu-Ansell, Merlin Cox ; translated by Michael Richardson, Krzysztof Fijalkowski and Dawn Ades ; texts by Anne Egger, Krzysztof Fijalkowski, Gérard Legrand, Kristoffer Noheden, Michael Richardson 
264 1 |a Lopen, Somerset  |b Fulgur Press  |c 2024 
300 |a xxiii, 291 Seiten  |b Illustrationen  |c 31 cm 
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500 |a Includes bibliographical references (pages 285-291) 
520 |a "What is "Magic Art"? In 1953, André Breton, founder of the Surrealist movement, was invited by a prestigious French publisher to explore answers to this question. His resulting analysis is wide-ranging and evocative. Beginning with a literary review of magic and art, Breton draws upon Novalis and Baudelaire before considering the prehistoric rock art of Spain and France, the native art of the Pacific Northwest, the magical grimoires and alchemical symbolism of the Middle Ages, and the work of Hieronymus Bosch, Antoine Caron, Paolo Uccello, Gustav Moreau, Paul Gauguin and the Surrealists. Through these and other diverse sources, Breton traces a mystery that lies at the heart of our timeless fascination with otherness and seeks to place Surrealism as a successor to a magical sensibility that began with art itself. First published in 1957 as L'Art magique, this important text is offered here as an English translation for the first time. Working from manuscript notes for the original project, this edition presents the iconographic content as Breton intended, together with more than 300 new citations and a comprehensive bibliography that emphasizes sources found in Breton's own library." -- 
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