Paradoxy of modernism

Robert Scholes intervenes in ongoing discussions about modernism in the arts during the crucial half-century from 1895 to 1945 he contends that the binary oppositions which defined modernism are misleading. He argues that such oppositions are instances of 'paradoxy', an apparent clarity th...

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Bibliographic Details
Document Type: Online Resource Book
Language:English
Published: New Haven [Conn.] : Yale University Press , c2006
Subjects:
Electronic books > History
Online Access:lizenzpflichtig
Author Notes:Robert Scholes
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501 |a High and low in Modernist criticismOld and new in Modernist art -- Poetry and rhetoric in the Modernist montage -- Hard and soft : Joyce and others -- Durable fluff : the importance of not being earnest -- Iridescent mediocrity : Dornford Yates and others -- Formulaic creativity : Simenon's Maigret novels -- Model artists in Paris : Hastings, Hammett, and Kiki -- The aesthete in the brothel : Proust and others. 
520 |a Robert Scholes intervenes in ongoing discussions about modernism in the arts during the crucial half-century from 1895 to 1945 he contends that the binary oppositions which defined modernism are misleading. He argues that such oppositions are instances of 'paradoxy', an apparent clarity that covers real confusion 
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