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Romanticism and caricature
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| Main Author: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
Cambridge [u.a.]
: Cambridge Univ. Press
, 2013
|
| Edition: | 1. publ. |
| Series: | Cambridge studies in romanticism
103 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Author Notes: | Ian Haywood |
Table of Contents:
- Milton's monstersJames Gillray, sin, death and the devil
- Lethal money: forgery and the romantic credit crisis
- James Gillray, Midas (1797), George Cruikshank and William Hone, bank restriction note
- The aesthetics of conspiracy
- James Gillray, exhibition of a democratic transparency
- The spectral tyrant: Napoleon and the English dance of death
- Thomas Rowlandson, the two kings of terror
- The spectropolitics of romantic infidelism
- George Cruikshank, the age of reason
- The British inquisition
- George Cruikshank and William Hone, damnable association
- The return of the repressed: Henry Hunt and the reform bill crisis
- William Heath/Charles Jameson Grant, matchless eloqunce.
- Milton's monsters
- James Gillray, sin, death and the devil
- Lethal money: forgery and the romantic credit crisis
- James Gillray, Midas (1797), George Cruikshank and William Hone, bank restriction note
- The aesthetics of conspiracy
- James Gillray, exhibition of a democratic transparency
- The spectral tyrant: Napoleon and the English dance of death
- Thomas Rowlandson, the two kings of terror
- The spectropolitics of romantic infidelism
- George Cruikshank, the age of reason
- The British inquisition
- George Cruikshank and William Hone, damnable association
- The return of the repressed: Henry Hunt and the reform bill crisis
- William Heath/Charles Jameson Grant, matchless eloqunce.
