Albrecht Dürer

Dürer's ''[[Self-Portrait (Dürer, Madrid)|Self-portrait at 26]]'' at [[Prado Museum]] Albrecht Dürer (; ; ; 21 May 1471 – 6 April 1528), sometimes spelled in English as Durer (without an umlaut) or Duerer, was a German painter, printmaker, and theorist of the German Renaissance. Born in Nuremberg, Dürer established his reputation and influence across Europe in his twenties due to his high-quality woodcut prints. He was in contact with the major Italian artists of his time, including Raphael, Giovanni Bellini, and Leonardo da Vinci, and from 1512 was patronized by Emperor Maximilian I.

Dürer's vast body of work includes engravings, his preferred technique in his later prints, altarpieces, portraits and self-portraits, watercolours and books. The woodcuts series are more Gothic than the rest of his work. His well-known engravings include the three ''Meisterstiche'' (master prints) ''Knight, Death and the Devil'' (1513), ''Saint Jerome in his Study'' (1514), and ''Melencolia I'' (1514). His watercolours mark him as one of the first European landscape artists, while his woodcuts revolutionised the potential of that medium.

Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective, and ideal proportions. Provided by Wikipedia
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by Goldberg, Gisela
Published in Cranach (1994)
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by Makowski, Claude
Published 2012
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Published 1987
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Published 2015
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by Wolf, Norbert, Wolf, Norbert
Published 2017
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Published 1973
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Conference Proceeding Book
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by Koerner, Joseph Leo
Published 1991
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Thesis Microfilm Book
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by Duverger, Jozef
Published in Jaarboek (1971)
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by Knapp, Fritz
Published in Das Bayerland (1935)
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by Bodnár, Szilvia
Published 2020
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