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The Cranach Workshop and the Prophets of Baal : The Jewish Foil of Early Lutheran Community Building
The single panel Elijah and the Prophets of Baal, finished in 1545 by the Cranach workshop led by Lucas Cranach the Younger, resonates unpleasantly with the anti-Semitism of the early Lutheran community. This article connects the panel's allegory of community building, its installation in the f...
保存先:
出版年: | The sixteenth century journal 49(2018), 1, Seite 75-94 |
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第一著者: | |
フォーマット: | Online Resource 論文 |
言語: | English |
出版事項: |
[2018]
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主題: | |
関連資料: | Enthalten in:
The sixteenth century journal |
著者紹介: | Jennifer Nelson (School of the Art Institute of Chicago) |
要約: | The single panel Elijah and the Prophets of Baal, finished in 1545 by the Cranach workshop led by Lucas Cranach the Younger, resonates unpleasantly with the anti-Semitism of the early Lutheran community. This article connects the panel's allegory of community building, its installation in the first Lutheran-designated chapel in Torgau, and Martin Luther's anti-Semitic sermon consecrating the chapel. |
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物理的記述: | 7 Illustrationen |
ISSN: | 2326-0726 |