rdf-syntax-grammar
mods:
  schema location: http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-2.xsd
  title info:
    non sort: Eine
    title: Geschichte von Hasen
    sub title: zu Sigmar Polkes Rezeption des Feldhasen von Albrecht Dürer
  name:
    name part: Tschetschik-Hammerl, Ksenija
    name part: 1985-
    role:
      role term: creator
    role:
      role term: VerfasserIn
    role:
      role term: aut
  type of resource: text
  origin info:
    place:
      place term: xx
    date issued: 2022
    issuance: monographic
  language:
    language term: ger
  physical description:
    form: remote
  abstract: The article explores the role of Albrecht Dürer’s famous watercolour The Hare (1502) in the work of Sigmar Polke (1941-2010) who is considered one of the most prominent artists active in Rhineland in the post-war period. In his work, Polke repeatedly used visual materials from everyday life in West Germany, which he inserted as objets trouvés or as references and paraphrases into his paintings and other images. In art-historical and art-critical literature, Polke’s quotations of The Hare have been interpreted primarily in terms of the artist’s supposedly critical attitude either towards the mimetic character of Dürer’s study or towards the misuse of the Old Master’s imagery in consumer society. This article argues that the reflective potential of the presence of Dürer’s Hare in Polke’s work goes far beyond mere reference to the Renaissance artist and his study of nature. It will be shown that Polke’s reference to the Hare also comments on working methods of colleagues such as Joseph Beuys, Konrad Lueg and Dieter Roth. By paraphrasing Dürer’s Hare, Polke also reflects on the relationship between art and everyday life, blurring and questioning the established hierarchies.
  note: Ksenija Tschetschik-Hammerl
  classification: KUNST
  related item:
    title info:
      title: RIHA Journal
    name:
      name part: International Association of Research Institutes in the History of Art
    origin info:
      publisher: München : Zentralinst. für Kunstgeschichte, 2010
    physical description:
      extent: Online-Ressource
    identifier: 2190-3328
    identifier: (DE-627)624822729
    identifier: (DE-600)2549868-X
    identifier: (DE-576)322443385
    part:
      text: (2022), Artikel-ID 0277
  related item:
    part:
      text: year:2022
    part:
      text: elocationid:0277
  identifier: https://doi.org/10.11588/riha.2022.1.90043
  identifier: https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/90043
  record info:
    record content source: DE-627
    record creation date: 230113
    record change date: 20260510171635.0
    record identifier: 1831070685
    language of cataloging:
      language term: ger