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Albrecht Dürer and the depiction of cultural differences in Renaissance Europe
"This book provides a comprehensive assessment of Dürer's depictions of human diversity, focusing particularly on his depictions of non-European figures. Heather Madar contextualizes those depictions within their broader artistic and historical context and assesses them in light of contem...
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Mitwirkende: | |
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
: Routledge, Taylor & Francis Group
, 2023
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| Schriftenreihe: | Routledge critical junctures in global early modernities
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| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis Cover |
| Bibliogr. Hinweis: | Erscheint auch als:
Albrecht Dürer and the depiction of cultural differences in Renaissance Europe |
| Verantwortlich: | Heather Madar |
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| 245 | 1 | 0 | |a Albrecht Dürer and the depiction of cultural differences in Renaissance Europe |c Heather Madar |
| 264 | 1 | |a New York |a London |b Routledge, Taylor & Francis Group |c 2023 | |
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| 505 | 8 | |a Introduction 1. From Saracen to Turk: Dürer and the Origins of Ottoman Imagery in German Renaissance Art 2. Ottoman, Mamluk and Roman: Dress and Identity in Dürer s Art After 1495 3. Ottomans as Ottomans: Portraiture, Genre and Polemical Imagery 4. Black Ottomans and Black Mamluks: Racial Difference in Dürer s Depictions of Muslim Figures 5. Katharina and Portrait of an African Man: Black Presence in Renaissance Europe Conclusion | |
| 520 | |a "This book provides a comprehensive assessment of Dürer's depictions of human diversity, focusing particularly on his depictions of non-European figures. Heather Madar contextualizes those depictions within their broader artistic and historical context and assesses them in light of contemporary theories about early modern concepts of cultural, ethnic and racial diversity. The book also explores Dürer's influence on his followers, his later legacy with respect to his imagery of the other and the broader significance of Nuremberg to early modern engagements with the world outside Europe. The book will be of interest to scholars working in art history, Renaissance studies, and Renaissance history"-- | ||
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