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Faking, forging, counterfeiting : discredited practices at the margins of mimesis
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in...
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| Formato: | Anais de Congresso Online Resource Livro |
| Idioma: | English |
| Publicado em: |
Bielefeld
: transcript
, [2018]
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| coleção: | Culture & theory
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| Assuntos: | |
| Acesso em linha: | Volltext Cover Cover |
| Itens Relacionados: | Erscheint auch als:
Faking, forging, counterfeiting |
| Notas de Autor: | Daniel Becker, Annalisa Fischer, Yola Schmitz (Eds.) in collaboration with Simone Niehoff and Florencia Sannders |
| Resumo: | Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practices - creative acts in themselves - rather than as mere rip-offs of an original work of art. The proceedings bring together research from different scholarly fields. They focus on various mimetic practices such as pseudo-translations, imposters, identity theft, and hoaxes in different artistic and historic contexts. By opening up the scope of the aesthetic implications of fakes, this anthology aims to consolidate forging as an autonomous method of creation. |
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| Descrição do item: | Literaturangaben "The international conference "Faking, forging, counterfeiting: discredited practices at the margins of mimesis", held in Autumn 2015 at the Ludwig Maximilian University of Munich ..." (Preface, Seite 8) |
| Descrição Física: | 1 Online-Ressource (245 Seiten) Illustrationen |
| ISBN: | 9783839437629 |
| Acesso: | Open Access |
