Loading...

A history of early scientific examination and analysis of painting materials ca. 1780 to the mid-twentieth century

Saved in:

Bibliographic Details
Main Author:	Nadolny, Jilleen (Author, VerfasserIn)
Document Type:	Book
Language:	English
Published:	London [u.a.] : Routledge , 2012
Author Notes:	Jilleen Nadolny

Similar Items

Loading...

Recipes for deceit : documentary sources for the production of paintings forgeries from 1300 to 1900
by: Nadolny, Jilleen, et al.
Published: (2016)

Loading...

Art forgeries and how to examine paintings scientifically
by: Kurz, Otto
Published: (1983)

Loading...

The analytical results of a group of Beltracchi forgeries and some historical context to their reception
by: Nadolny, Jilleen, et al.
Published: (2014)

Loading...

The scientific examination of pictures : an investigation of the pigments used by the Dutch and Flemish masters from the brothers Van Eyck to the middle of the 19th century
by: Wild, Angenit Martin de
Published: (1929)

Loading...

The Materials of the Artist and their use in Painting
by: Doerner, Max
Published: (1984)

Loading...

Paintings : genuine, fraud, fake; modern methods of examining paintings
Published: (1985)

Loading...

Early 19th-Century Gothic Ivories
by: Leeuwenberg, Jaap
Published: (1969)

Loading...

An early forger
by: Valentiner, Wilhelm Reinhold
Published: (1913)

Loading...

Some early XIXth century forgeries of Greek coins
by: Robinson, E. S. G.
Published: (1956)

Loading...

Scientific investigation of copies, fakes and forgeries
by: Craddock, Paul T.
Published: (2009)

Loading...

Plagiarism in art (and art history)
Published: (2000)

Loading...

An early forgery of the Buxheim 'St Christopher'
by: Bodnár, Szilvia
Published: (2011)

Loading...

Cheating history: the rhetorics of art forgery
by: Fine, Gary Alan, et al.
Published: (1983)

Loading...

Van Meegeren - a case history
by: Kilbracken, John Raymond Godley
Published: (1967)

Loading...

European paintings 15th - 18th century : copying, emulating and replicating ; [proceedings of the conference "Copying, Emulating and Replicating Paintings in the 15th - 18th Century", organised by the Centre for Art Technological Studies and Conservation (CATS), which took place at the Statens Museum for Kunst (SMK), the National Gallery of Denmark, 21 - 22 May 2012]
Published: (2014)

Loading...

The conflict of the faculties : the human eye versus scientific experience (nineteenth and twentieth centurie)
by: Griener, Pascal, et al.
Published: (2014)

Loading...

Register über das auf den Tagungen des Verbandes von Museumsbeamten ... behandelte Material an Fälschungen
Published: (1929)

Loading...

Van Meegeren's faked Vermeers and De Hooghs : a scientific examination
by: Coremans, Paul, et al.
Published: (1949)

Loading...

Van Meegeren's faked Vermeers and de Hooghs : a scientific examination
by: Coremans, Paul
Published: (1949)

Loading...

The painting can be fake, but not the feeling' : an overview of the Vietnamese market through the lens of fake, forgery and copy paintings
by: Ho Manh Toan, et al.
Published: (2018)

Loading...

The Knoedler/Rosales affair : technical examination of the paintings
by: Martin, James S., et al.
Published: (2017)

Loading...

Etruscan wall-paintings on terracotta : a study in authenticity
by: Fleming, Stuart James
Published: (1971)

Loading...

The scientist and the forger : insights into the scientific detection of forgery in paintings
by: Ragai, Jehane, et al.
Published: (2015)

Loading...

Fakes : archeological materials, paintings, prints, glass, metal work, ceramics, furniture, tapestries
by: Kurz, Otto
Published: (1967)

Loading...

"Trompe l'oeil" painting and the deceived viewer
by: Leja, Michael
Published: (2006)

Loading...

Analytical chemistry for the study of paintings and the detection of forgeries
Published: (2022)

Loading...

Studying old master paintings : technology and practice; the National Gallery Technical Bulletin 30th anniversary conference postprints
Published: (2011)

Loading...

Dealers, critics, and collectors of modern painting : aspects of the Parisian art market between 1910 and 1930
by: Gee, Malcolm
Published: (1981)

Loading...

Who painted the great Murillo de la Merced?
by: Schiller, Henry Carl, et al.
Published: (1870)

Loading...

A method for detecting false Limoges painted enamels
by: Ross, Marvin Chauncey
Published: (1949)

Loading...

The economics of copying and counterfeiting ; [... presented at the International Workshop on the Economics of Copying and Counterfeiting held by ICARE, the International Center for Art Economics of the University Ca' Foscari of Venice, on December 3-4th 1998]
Published: (2004)

Loading...

Dirk Hannema and the rediscovery of a painting by Vincent van Gogh
by: Tilborgh, Louis van, et al.
Published: (2010)

Loading...

The masters' and the forgers' secrets : X-ray authentication of paintings ; from early Netherlandish till modern
by: Marijnissen, Roger H.
Published: (2009)

Loading...

Some experiments and observations on the colours used in painting by the Ancients [23 February1815]
by: Davy, Humphry, et al.
Published: (1815)

Loading...

A study of Rembrandt anf the paintings of his school by means of magnified photographs
Published: (1930)

Loading...

Carving, recarving and forgery : working ivory in the tenth and twentieth centuries
by: Cutler, Anthony
Published: (2011)

Loading...

Seventeenth century landscapes : Italian, French, Flemish, Dutch
Published: (1973)

Loading...

Art sales : from early in the 18 century to early in the 20. century (mostly old master and early English pictures)
by: Graves, Algernon
Published: (1973)

Loading...

Authenticity in art : the scientific detection of forgery
by: Fleming, Stuart James
Published: (1975)

Loading...

The forger's spell : a true story of Vermeer, Nazis, and the greatest art hoax of the twentieth century
by: Dolnick, Edward
Published: (2008)