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Who painted the great Murillo de la Merced?

Saved in:

Sonraí Bibleagrafaíochta
Príomhúdar:	Schiller, Henry Carl (Údar, VerfasserIn)
Formáid:	Leabhar
Teanga:	English
Foilsithe:	Edinburgh : Blackwood , 1870
Ábhair:	Murillo, Bartolomé Esteban La Merced / Kloster Malerei Echtheit Fälschung
Notái Údair:	Henry Carl Schiller

Míreanna Comhchosúla

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Leonardo da Vinci "La Bella Principessa" : the profile portrait of a Milanese woman
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La Bella Principessa di Leonardo da Vinci : ritratto di Bianca Sforza
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Aplicación de la metodología científica al estudio de la pintura
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La bella principessa di Leonardo da Vinci : ritratto di Bianca Sforza
Foilsithe: (2015)

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Leonardo da Vinci : ritratto di Bianca Sforza; "La bella principessa" : [catalogo della mostra]
Foilsithe: (2014)

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The art of the forger
le: Wright, Christopher
Foilsithe: (1984)

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"Trompe l'oeil" painting and the deceived viewer
le: Leja, Michael
Foilsithe: (2006)

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Leonardo's lost princess : one man's quest to authenticate an unknown portrait by Leonardo da Vinci
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The man who made Vermeers : unvarnishing the legend of master forger Han van Meegeren
le: Lopez, Jonathan
Foilsithe: (2009)

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The man who made Vermeers : unvarnishing the legend of master forger Han van Meegeren
le: Lopez, Jonathan
Foilsithe: (2008)

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Paintings : genuine, fraud, fake; modern methods of examining paintings
Foilsithe: (1985)

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La falsificación como reveladora de la autenticidad
le: Heinich, Nathalie, et al.
Foilsithe: (2010)

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The quest for the original : underdrawing and technology in painting ; symposium XVI, Bruges, September 21st, 22nd and 23rd, 2006 ; [Colloque pour l'Étude du Dessin Sous-Jacent et de la Technologie dans la Peinture]
Foilsithe: (2009)

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Issues of authenticity in Chinese art : [on the occasion for the international symposium "Issues of authenticity in Chinese painting" held on December 11, 1999, at the Metropolitan Museum of Art, New York]
Foilsithe: (1999)

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El análisis de la autoría y la autentificación de las pinturas de Zubialde (Alava)
le: Apellániz, Juan M.
Foilsithe: (1995)

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Pictology : an analytical method for attribution and evaluation of pictures
le: Dantzig, Maurits M. van
Foilsithe: (1973)

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La peinture : les divers procédés, les maladies des couleurs, les faux tableaux
le: Moreau-Vauthier, Charles
Foilsithe: (1933)

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The lie became great : the forgery of ancient Near Eastern cultures
le: Muscarella, Oscar White, et al.
Foilsithe: (2000)

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The great art hoax : essays in the comedy and insanity of collectible art
le: Huer, Jon, et al.
Foilsithe: (1990)

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La peinture : les divers procédés, les maladies des couleurs, les faux tableaux$nElektronische Ressource
le: Moreau-Vauthier, Charles
Foilsithe: (1933)

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Studying old master paintings : technology and practice; the National Gallery Technical Bulletin 30th anniversary conference postprints
Foilsithe: (2011)

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Echtheitsfragen : Kunsthistorische Überlegungen zum Begriff des Originals in der Malerei der frühen Neuzeit
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Foilsithe: (2008)

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Autenticità dei dipinti su tavola e tela
le: Buffi, Leonardo
Foilsithe: (2008)

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The eye of the connoisseur : authenticating paintings by Rembrandt and his contemporaries
le: Tummers, Anna
Foilsithe: (2011)

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Great forgers and famous fakes : the manuscript forgers of America and how the duped the experts
le: Hamilton, Charles
Foilsithe: (1980)

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Eine Anmerkung zu Hermann Lüer's Aufsatz: "Fälschungen mittelalterlicher Kunstarbeiten" (No. 24, 3. Mai)
le: Schuchhardt, Carl
Foilsithe: (1900)

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Echte und falsche merowingische Goldsachen
le: Schuchhardt, Carl
Foilsithe: (1919)

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The big book of hoaxes
le: Sifakis, Carl
Foilsithe: (1996)

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The great Dalí art fraud and other deceptions
le: Catterall, Lee
Foilsithe: (1992)

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The great Cellini and his roster of famous fakes
le: Headington, Ann
Foilsithe: (1986)

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A study of Rembrandt anf the paintings of his school by means of magnified photographs
Foilsithe: (1930)

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Seventeenth century landscapes : Italian, French, Flemish, Dutch
Foilsithe: (1973)

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European paintings 15th - 18th century : copying, emulating and replicating ; [proceedings of the conference "Copying, Emulating and Replicating Paintings in the 15th - 18th Century", organised by the Centre for Art Technological Studies and Conservation (CATS), which took place at the Statens Museum for Kunst (SMK), the National Gallery of Denmark, 21 - 22 May 2012]
Foilsithe: (2014)

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Caravaggio e la falsa Maddalena
le: Caiazza, Pietro
Foilsithe: (2009)

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Vive la reproduction! : das kreative Potential der Kopie
le: Petri, Grischka, et al.
Foilsithe: (2016)

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Review : Florence in the 1470s, London
le: Strehlke, Carl Brandon
Foilsithe: (2000)

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L' amateur de peinture
le: Hourticq, Louis
Foilsithe: (1945)

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La peinture ancienne et ses procédés : copies, répliques, pastiches ; colloque XV, Bruges, 11 - 13 septembre 2003 ; [Colloque XV pour l'Étude du Dessin Sous-Jacent et de la Technologie de la Peinture]
Foilsithe: (2006)

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La doppia vita di Vermeer : romanzo
le: Guarnieri, Luigi
Foilsithe: (2004)