A carregar...

Old master pictures : the properties of Lady Alexandra Trevor-Roper ... : which will be sold at Christie's Great Rooms on Friday 30 October 1987

Na minha lista:

Detalhes bibliográficos
Autor Corporativo:	Christie, Manson & Woods (Author, VerfasserIn)
Formato:	Livro
Idioma:	English
Publicado em:	London : Christie, Manson & Woods Ltd. , [1987]
Colecção:	Christie's 1987.10.30
Assuntos:	Malerei Geschichte 1400-1800 Jesus Church Sammlung Mariendarstellung Geschichte 1600-1700 Haig, Alexandra Niederlande Landschaftsmalerei Geschichte 1620-1700 Auktionskatalog > Christie's > 30.10.1987 > London Bildband
Notas de Autor:	Christie, Manson & Woods Ltd.

Registos relacionados

Art sales : from early in the 18 century to early in the 20. century (mostly old master and early English pictures)
Por: Graves, Algernon
Publicado em: (1973)

Aemulatio : Kulturen des Wettstreits in Text und Bild (1450 - 1620); [Tagung im Rahmen des Münchner SFB 573]
Publicado em: (2011)

Reframing Albrecht Dürer : the appropriation of art, 1528 - 1700
Por: Bubenik, Andrea
Publicado em: (2013)

The British abroad : the grand tour in the eighteenth century
Por: Black, Jeremy
Publicado em: (2004)

The author, art, and the market : rereading the history of aesthetics
Por: Woodmansee, Martha
Publicado em: (1994)

Falsificazioni del tardogotico veronese : Pisanello e una Madonna col Bambino e tre santi
Por: Vinco, Mattia, et al.
Publicado em: (2014)

Echtheitsfragen : Kunsthistorische Überlegungen zum Begriff des Originals in der Malerei der frühen Neuzeit
Por: Büttner, Nils
Publicado em: (2008)

Fälschungen alter Gemälde und Bildwerke
Por: Bode, Wilhelm von
Publicado em: (1908)

Marchands, connaisseurs, curieux à Paris au XVIIIe siècle
Por: Pomian, Krzysztof
Publicado em: (1979)

L' apparenza inganna : pittori falsari nell'arte italiana del Seicento
Por: Paliaga, Franco, et al.
Publicado em: (2014)

L' apparenza inganna : pittori falsari nell'arte italiana del Seicento
Por: Paliaga, Franco, et al.
Publicado em: (2014)

Die Ehebrecherin vor Christus : Gemälde von Rembrandt; offener Brief an Dr. Abraham Bredius über die Echtheit dieses Gemäldes
Por: Sedelmeyer, Charles
Publicado em: (1912)

Kunstmarkt, Kennerschaft und Geschmack : zu Theorie und Praxis in der Zeit zwischen Barthold Heinrich Brockes und Christian Ludwig von Hagedorn
Por: Zelle, Carsten
Publicado em: (2002)

Un 'esportazione fraudolenta nel XVIII secolo
Por: Rosenberg, Pierre, et al.
Publicado em: (2017)

The artist and the mountebank : Rochester's Alexander Bendo and the dynamics of forgery and illusion in 17th century art
Por: Hylkema, Jacqueline, et al.
Publicado em: (2018)

Reinventar la Antigüedad : los estudios clásicos a partir del siglo XVIII
Por: García Jurado, Francisco, et al.
Publicado em: (2015)

Risk and uncertainty in the art world
Publicado em: (2014)

Risk and Uncertainty in the Art World
Por: Dempster, Anna M.
Publicado em: (2014)

The eye of the beholder : fakes, replicas, and alterations in American art
Publicado em: (1977)

Pittori in tribunale : un processo per copie e falsi alla fine del Seicento
Por: Migliorini, Maurizia, et al.
Publicado em: (2000)

The original and authentic Madonna dell'Impannata by Raffaello Sanzio da Urbino has been in America since 1843 : is the celebrated "Impannata" in the Pitti Palace in Florence a copy?
Publicado em: (1929)

Grand tour : the lure of Italy in the eighteenth century; [this catalogue is publ. to accompany the exhibition organised by the Tate Gallery, London; Tate Gallery, London, 10 October 1996 - 5 January 1997; Palazzo delle Esposizioni, Rome, 5 February 1997 - 7 April 1997]
Publicado em: (1996)

Studying old master paintings : technology and practice; the National Gallery Technical Bulletin 30th anniversary conference postprints
Publicado em: (2011)

"Unter diesen Goettern zu wandeln" : Kunsthandel, Kunstjournale und Kunstmanufakturen im 18. Jahrhundert
Por: Rau, Petra
Publicado em: (2003)

Auswahl und Rekombination : Gipsabgüsse und der 'Kanon' antiker Plastik im 18. und 19. Jahrhundert
Por: Schreiter, Charlotte
Publicado em: (2011)

Mythos und Fälschung : 'Volk' und 'Nation' im mitteleuropäischen Kultur- und Staatenraum des 18. und 19. Jahrhunderts. Internationale Fachkonferenz der Technischen Universität Dresden. Dresden, 12. -14. Sept. 2005
Por: Hose, Susanne
Publicado em: (2006)

Due Madonne senesi
Por: Carli, Enzo
Publicado em: (1962)

"The Virgin and Child with an Angel", after Francia : a History of Error
Por: Ashok, Roy, et al.
Publicado em: (2010)

Van der Meer de Delft, [1]
Por: Thoré, Théophile
Publicado em: (1866)

Autorschaft ist Werkherrschaft : über die Entstehung des Urheberrechts aus dem Geist der Goethezeit
Por: Bosse, Heinrich
Publicado em: (1981)

Van der Meer de Delft, [3]
Por: Thoré, Théophile
Publicado em: (1866)

Rembrandt, not Rembrandt in the Metropolitan Museum of Art : aspects of connoisseurship; [issued in conjunction with the Exhibition "Rembrandt, not Rembrandt in the Metropolitan Museum of Art" held at the Metropolitan Museum of Art, New York, from Oct. 10, 1995, to Jan. 7, 1996]

Deception and detection in eighteenth-century Britain
Por: Lynch, Jack
Publicado em: (2008)

Imitation, representation and printing in the Italian Renaissance
Publicado em: (2009)

The eye of the connoisseur : authenticating paintings by Rembrandt and his contemporaries
Por: Tummers, Anna
Publicado em: (2011)

Fraud and forgery in old babylonian law
Por: Bādāmčī, Ḥusain, et al.
Publicado em: (2016)

The Spanish forger, master of deception : 10.12.1987-28.2.1988; Marquette Univ., Milwaukee, Wisconsin
Publicado em: (1987)

Art market and connoisseurship : a closer look at paintings by Rembrandt, Rubens and their contemporaries
Publicado em: (2008)

"Chaos, Spiel, Differenz und Wiederholung" : originale Reproduktion im Holbein-Streit
Por: Bader, Lena
Publicado em: (2011)

Aping the master : 19th century Voltaire pastiches and the anxieties of modern authorship
Por: Mühlbacher, Manuel, et al.
Publicado em: (2018)