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The art market and the museum : institutional collecting, display and patronage since the mid-nineteenth century
"This book considers how art market stakeholders, including art dealers, collectors and agents, have shaped museum collections and affected exhibition practices since the mid-19th century. Based on new archival research and data analysis, it features contributions from a wide range of internati...
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| Other Authors: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
London ; New York ; Oxford ; New Delhi ; Sydney
: Bloomsbury Visual Arts
, 2025
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| Series: | Contextualizing art markets
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Author Notes: | edited by Frances Fowle and MaryKate Cleary |
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| 245 | 0 | 4 | |a The art market and the museum |b institutional collecting, display and patronage since the mid-nineteenth century |c edited by Frances Fowle and MaryKate Cleary |
| 264 | 1 | |a London |a New York |a Oxford |a New Delhi |a Sydney |b Bloomsbury Visual Arts |c 2025 | |
| 300 | |a xxvi, 297 Seiten, 16 ungezählte Seiten |b Illustrationen, Diagramme | ||
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| 490 | 0 | |a Contextualizing art markets | |
| 500 | |a Literaturangaben | ||
| 520 | |a "This book considers how art market stakeholders, including art dealers, collectors and agents, have shaped museum collections and affected exhibition practices since the mid-19th century. Based on new archival research and data analysis, it features contributions from a wide range of international specialists in the market for material culture as well as European modernism, and explores the origins and development of the modern Western art market and the global art networks that operated not only in Paris, London and New York, but in cities such as Glasgow, Vienna, Melbourne and Kansas City." (Quelle: Verlag) | ||
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