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Greece and Rome at the Crystal Palace : classical sculpture and modern Britain, 1854-1936
Kate Nichols examines the debates that arose around the presentation of classical plaster casts to a mass audience at the Sydenham Crystal Palace, in nineteenth and early twentieth-century Britain. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in Victoria...
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| Main Author: | |
|---|---|
| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Oxford
: Oxford University Press
, 2015
|
| Edition: | First edition |
| Series: | Classical presences
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| Subjects: | |
| Online Access: | http://proxy.fid-lizenzen.de/han/oup-ebooks-altertum/dx.doi.org/10.1093/acprof:oso/9780199596461.001.0001 |
| Author Notes: | Kate Nichols |
| E-Book Packages: | Oxford Scholarship Online: Classical Studies Collection |
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Kate Nichols examines the debates that arose around the presentation of classical plaster casts to a mass audience at the Sydenham Crystal Palace, in nineteenth and early twentieth-century Britain. It uncovers the social, political, and aesthetic role of ancient Greek and Roman sculpture in Victorian and Edwardian culture, assessing how classical art and architecture figured in debates over design reform, taste, beauty and morality, race and imperialism | ||
| 650 | 0 | |a Sculpture, Classical |x Appreciation |z Great Britain |x History |y 19th century | |
| 650 | 0 | |a Sculpture, Classical |x Collectors and collecting |z Great Britain |x History |y 19th century | |
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