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Classical myths in Italian Renaissance painting
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for grante...
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| Main Author: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
Cambridge [u.a.]
: Cambridge University Press
, 2011
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Autorenbiografie Verlagsangaben Autorenbiografie Verlagsangaben |
| Related Items: | Rezensiert in:
[Rezension von: Freedman, Luba, Classical Myths in Italian Renaissance Painting] |
| Author Notes: | Luba Freedman |
| CRLB-Bib.: | Freedman, Classical Myths, 2011 |
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| 245 | 1 | 0 | |a Classical myths in Italian Renaissance painting |c Luba Freedman |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Cambridge [u.a.] |b Cambridge University Press |c 2011 | |
| 300 | |a XVI, XIV, 292 S. |b Ill. |c 26 cm | ||
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| 500 | |a Includes bibliographical references and index | ||
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| 510 | 3 | |a Freedman, Classical Myths, 2011 | |
| 520 | |a "The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"-- | ||
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