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God and nature in the thought of Margaret Cavendish
Saved in:
| Other Authors: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
Farnham [u.a.]
: Ashgate
, 2014
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Author Notes: | ed. by Brandie R. Siegfried and Lisa T. Sarasohn |
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| 245 | 1 | 0 | |a God and nature in the thought of Margaret Cavendish |c ed. by Brandie R. Siegfried and Lisa T. Sarasohn |
| 264 | 1 | |a Farnham [u.a.] |b Ashgate |c 2014 | |
| 300 | |a XVI, 257 S. |b Ill. | ||
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| 500 | |a Literaturverzeichnis S. [217] - 238 | ||
| 500 | |a Kongressdaten aus dem Internet | ||
| 501 | |a Introduction: the duchess and the divine. Claims to orthodoxy: how far can we trust Margaret Cavendish's autobiography? / Hilda l. SmithThe God of nature and the nature of God / Sara Mendelson | ||
| 501 | |a Darkness, death, and precarious life in Cavendish's sociable letters and orations / Joanne H. Wright | ||
| 501 | |a God and the question of sense perception in the works of Margaret Cavendish / Brandie R. Siegfried | ||
| 501 | |a Paganism, Christianity, and the faculty of fancy in the writing of Margaret Cavendish / James Fitzmaurice | ||
| 501 | |a Fideism, sin, and the faithful veneration of nature in Margaret Cavendish's philosophical letters / Lisa T. Sarasohn | ||
| 501 | |a Brilliant heterodoxy: the plurality of worlds in Margaret Cavendish's Blazing world (1666) and Cyrano de Bergerac's Estats et empires de la lune / Line Cottegnies | ||
| 501 | |a "A double perception in all creatures": Margaret Cavendish's philosophical letters and seventeenth-century natural philosophy / Stephen Clucas | ||
| 501 | |a Natural magic in the convent of pleasure / John Shanahan | ||
| 501 | |a Margaret Cavendish's cabbala: the empress and the spirits in the blazing world / Perrin Radley | ||
| 501 | |a Margaret Cavendish and the Jews / Sara Mendelson | ||
| 501 | |a "Soulified": Cavendish, Rubens, and the cabbalistic tree of life / Brandie R. Siegfried. | ||
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| 650 | 0 | |a God in literature | |
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