Wrath of the gods : Masterpieces by Rubens, Michelangelo, and Titian ; [... on the occasion of the Exhibition The Wrath of the Gods: Masterpieces by Rubens, Michelangelo, and Titian, Philadelphia Museum of Art , September 12 - December 6, 2015]

Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions...

Szczegółowa specyfikacja

Zapisane w:
Opis bibliograficzny
Kolejni autorzy: Rubens, Peter Paul (Ilustrator)
Michelangelo Buonarroti (Ilustrator)
Vecellio, Tiziano (Ilustrator)
Format: Materiały konferencyjne Książka
Język:English
Wydane: New Haven, Conn. [u.a.] : Yale Univ Press , 2015
New Haven, Conn. [u.a.] : Yale University Press , 2015
Hasła przedmiotowe:
Rubens, Peter Paul > 1577-1640 > Prometheus bound
Michelangelo Buonarroti > 1475-1564 > Influence
Titian > approximately 1488-1576 > Influence
Prometheus > (Greek deity) > Art
Malerei
Mythos
Antike
Geschichte 1500-1650
Buonarroti, Michelangelo
Vecellio, Tiziano
Rubens, Peter Paul
Rezeption
Prometheus
Michelangelo <Buonarroti>
Ausstellungskatalog > 2015 > Philadelphia, Pa.
Dostęp online:Inhaltsverzeichnis
Dane autora:Christopher D. M. Atkins
Opis
Streszczenie:Peter Paul Rubens (1577-1640) proudly described his monumental painting Prometheus Bound as first among "the flower of my stock." This singular work demonstrates how Rubens engaged with and responded to his predecessors Michelangelo and Titian, with whom he shared an interest in depictions of physical torment. This book offers an in-depth case study of the Flemish artist's creative process and aesthetic, while also demonstrating why this particular painting has appealed to viewers over time. Many scholars have elaborated on Rubens's affinity for Titian, but his connection to Michelangelo has received far less attention. This study presents a new interpretation of Prometheus Bound, showing how Rubens created parallels between the pagan hero Prometheus and Michelangelo's Risen Christ from the Sistine Chapel's Last Judgment. Christopher D.M. Atkins expands our understanding of artistic transmission by elucidating how Rubens synthesized the works he saw in Italy, Spain, and his native Antwerp, and how Prometheus Bound in turn influenced Dutch, Flemish, and Italian artists. Exhibition: Philadelphia Museum of Art, USA (12.9.-6.12.2015)
Opis fizyczny:111 S zahlr. Ill
ISBN:030021524X
9780300215243

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