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Studies in Aegean art and culture : a New York Aegean Bronze Age Colloquium in Memory of Ellen N. Davis

1.The silver kantharos from Gournia revisited /Judith Weingarten --2.Helladic pairs of cups /Malcolm H. Wiener --3.For Ellen Davis : Transylvanian gold/Gunter Kopcke --4.Cycladic and more northerly connections in the metal objects from Petras Cemetery /James D. Muhly --5.The human condition as refle...

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Corporate Author: New York Aegean Bronze Age Colloquium in Memory of Ellen N. Davis (2014 :Hunter College), (Author)
Other Authors: Davis, Ellen N. (WidmungsempfängerIn)
Koehl, Robert B. (Editor, HerausgeberIn)
Document Type: Conference Proceeding Online Resource Book
Language:English
Published: Philadelphia, Pennsylvania : INSTAP Academic Press , 2016
Subjects:
Online Access:lizenzpflichtig
Related Items:Print version: Studies in Aegean art and culture
Author Notes:edited by Robert B. Koehl
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520 |a 1.The silver kantharos from Gournia revisited /Judith Weingarten --2.Helladic pairs of cups /Malcolm H. Wiener --3.For Ellen Davis : Transylvanian gold/Gunter Kopcke --4.Cycladic and more northerly connections in the metal objects from Petras Cemetery /James D. Muhly --5.The human condition as reflected in early Aegean art /Christos Doumas --6.Purple rosettes/Σoρφυρoι ρoδακεσ : new data on polychromy and perception in the Thera wall paintings /Andreas G. Vlachopoulos --7.Depictions of water in Aegean miniature-style wall paintings /Elizabeth B. Shank --8.The three Minoan "snake goddesses" /Bernice R. Jones --9.Beyond the "chieftain cup" : more images relating to Minoan male "rites of passage" /Robert B. Koehl --10.. The ideology of the ruler in Mycenaean prehistory : twenty years after the missing ruler /Thomas G. Palaima. 
520 |a The papers published here are dedicated to the memory of Ellen N. Davis, one of the most valued and beloved Aegean scholars of her generation. All of the articles are in some way inspired or influenced by Davis? own contributions to the field. In the area of metalwork, several papers investigate interconnections within and around the Aegean during the Early, Middle and Late Bronze Ages (Betancourt, Ferrence and Muhly, Weingarten, Kopcke), while others examine metal ware in its social context (Wiener). Papers on wall painting range from studies of pigments and optical illusions (Vlachopoulos), to representations of water (Shank). Anthropomorphic representations, or their absence, of goddesses or priestesses (Jones), rulers (Palaima), or initiates (Koehl) are also studied here with new eyes and fresh insights 
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