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Rembrandt, reputation, and the practice of connoisseurship
Analyses the scholarly formation of the corpus of Rembrandt paintings in the late 19th-Century
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Main Author: | |
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Document Type: | Online Resource Book |
Language: | English |
Published: |
Amsterdam
: Amsterdam University Press
, 2004
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Series: | Rembrandt
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Subjects: | |
Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt46mx9g |
Related Items: | Print version:
Rembrandt, reputation, and the practice of connoisseurship Rezensiert in: [Rezension von: Scallen, Catherine B., Rembrandt, Reputation, and the Practice of Connoisseurship] |
Author Notes: | Catherine B. Scallen |
E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
Table of Contents:
- The rise of a new art historian: Wilhelm Bode and the beginnings of modern Rembrandt connoisseurship
- Wilhelm Bode's and Giovanni Morelli's debates about connoisseurship
- Who is Rembrandt? Bode and his protégés in Rembrandt studies
- The Rembrandt decade
- Rembrandt in America
- The contest for authority
- Rembrandt, rediscovered paintings and the debate over method
- Van Dyke and Rembrandt
- The end of an era.