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Compelling visuality : the work of art in and out of history
Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levi...
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| Document Type: | Online Resource Book |
|---|---|
| Language: | English |
| Published: |
Minneapolis
: University of Minnesota Press
, 2003
|
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.cttttc70 |
| Related Items: | Print version:
Compelling visuality |
| Author Notes: | Claire Farago and Robert Zwijnenberg, editors |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
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| 245 | 0 | 0 | |a Compelling visuality |b the work of art in and out of history |c Claire Farago and Robert Zwijnenberg, editors |
| 264 | 1 | |a Minneapolis |b University of Minnesota Press |c 2003 | |
| 300 | |a 1 Online-Ressource (xvi, 239 pages) | ||
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| 500 | |a Includes bibliographical references | ||
| 520 | |a Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors | ||
| 520 | |a Art History after Aesthetics: A Provocative Introduction; ONE: Ecstatic Aesthetics: Metaphoring Bernini; TWO: Before the Image, Before Time: The Sovereignty of Anachronism; THREE: Aesthetics before Art: Leonardo through the Looking Glass; FOUR: Touching the Face: The Ethics of Visuality between Levinas and a Rembrandt Self-Portrait; FIVE: Presence and Absence: On Leonardo da Vinci's Saint John the Baptist; SIX: Rococo as the Dissipation of Boredom; SEVEN: Mourning and Method; EIGHT: A Guide to Interpretation: Art Historical Hermeneutics; NINE: Seeing Soane Seeing You; Contributors | ||
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| 650 | 0 | |a Art criticism | |
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| 650 | 4 | |a Kunst | |
| 650 | 4 | |a Kunstkritik | |
| 650 | 4 | |a ART ; Criticism & Theory | |
| 650 | 4 | |a Filosofische aspecten | |
| 650 | 4 | |a Kunstbeschouwing | |
| 650 | 4 | |a Critique d'art | |
| 650 | 4 | |a Art criticism | |
| 650 | 4 | |a Visual perception | |
| 650 | 4 | |a Perception visuelle | |
| 650 | 4 | |a Art et histoire | |
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| 700 | 1 | |a Zwijnenberg, Robert |4 oth | |
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| 776 | 0 | 8 | |i Print version |t Compelling visuality |d Minneapolis : University of Minnesota Press, ©2003 |w (DLC)2003008902 |
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