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Engraving the savage : the New World and techniques of civilization
In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gau...
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| Main Author: | |
|---|---|
| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Minneapolis
: University of Minnesota Press
, 2008
|
| Subjects: | |
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.cttts63r |
| Related Items: | Print version:
Engraving the savage Rezensiert in: [Rezension von: Gaudio, Michael, Engraving the Savage: The New World and Techniques of Civilization] |
| Author Notes: | Michael Gaudio |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
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| 100 | 1 | |a Gaudio, Michael |0 (DE-588)136196349 |0 (DE-627)577709445 |0 (DE-576)300889151 |4 aut | |
| 245 | 1 | 0 | |a Engraving the savage |b the New World and techniques of civilization |c Michael Gaudio |
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| 505 | 8 | |a Introduction: White pebbles in the dark forest -- Savage marks: the scriptive techniques of early modern ethnography -- Making sense of smoke: engraving and ornament in de Bry's America -- Flatness and protuberance: reforming the image in Protestant print culture -- The art of scratch: wood engraving and picture-writing in the 1880s. | |
| 520 | |a In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples | ||
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| 650 | 0 | |a Prints |x Technique | |
| 650 | 0 | |a Art | |
| 650 | 0 | |a Prints | |
| 650 | 0 | |a Difference (Philosophy) in art | |
| 650 | 0 | |a Indians in art | |
| 650 | 4 | |a ART ; History ; General | |
| 650 | 4 | |a Art ; Reproduction | |
| 650 | 4 | |a ART ; Subjects & Themes ; Human Figure | |
| 650 | 4 | |a ART ; Subjects & Themes ; Portraits | |
| 650 | 4 | |a Prints ; Technique | |
| 650 | 4 | |a America | |
| 650 | 4 | |a Peuples autochtones dans l'art | |
| 650 | 4 | |a Art - Reproduction | |
| 650 | 4 | |a copies (derivative objects) | |
| 650 | 4 | |a printmaking | |
| 650 | 4 | |a Estampe - Technique | |
| 650 | 4 | |a Différence (Philosophie) dans l'art | |
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| 776 | 0 | 8 | |i Print version |a Gaudio, Michael |t Engraving the savage |d Minneapolis : University of Minnesota Press, ©2008 |w (DLC)2007031468 |
| 787 | 0 | 8 | |i Rezensiert in |a Trembinski, Donna, 1974 - |t [Rezension von: Gaudio, Michael, Engraving the Savage: The New World and Techniques of Civilization] |d 2010 |w (DE-627)1802412662 |
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