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The Learned Eye : Regarding Art, Theory, and the Artist's Reputation
Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His MasterPart III: The Artist's Reputation; 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession; 'Das We...
Salvato in:
| Autore principale: | |
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| Natura: | Online Resource Libro |
| Lingua: | English |
| Pubblicazione: |
Amsterdam
: Amsterdam University Press
, 2005
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| Serie: | Rembrandt
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| Soggetti: | |
| Accesso online: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt46mw0p |
| Documenti correlati: | Erscheint auch als:
The learned eye |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
| Riassunto: | Rembrandt and Rhetoric. The Concepts of affectus, enargeia and ornatus in Samuel van Hoogstraten's Judgement of His MasterPart III: The Artist's Reputation; 'A Record and Memorial of his Talents for Posterity': Anthony van Dyck's Sketch of the Garter Procession; 'Das Werk erdacht und cirkulirt'. The Position of Architects at the Court of King Ferdinand I of Bohemia and His Son, Archduke Ferdinand II of Austria; Crossing the Wall of History. Etienne Deléc Table of Contents; Introduction; The Learned Eye; Biography of Ernst van de Wetering; Part I: The Work of Art; In the Beginning There Was Red; The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses; Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston; The Portrait of Theodorus Schrevelius; Part II: The Rules of Art; The Contours in the Paintings of the Oranjezaal, Huis ten Bosch; Aelbert Cuyp's Innovative Use of Spatial Devices; Colour Symbolism in Seventeenth-Century Dutch Painting Table of Contents; Introduction; The Learned Eye; Biography of Ernst van de Wetering; Part I: The Work of Art; In the Beginning There Was Red; The Use of Wood in Rembrandt's Workshop. Wood Identification and Dendrochronological Analyses; Rembrandt's Drawing The Raising of the Cross in the Museum of Fine Arts, Boston; The Portrait of Theodorus Schrevelius; Part II: The Rules of Art; The Contours in the Paintings of the Oranjezaal, Huis ten Bosch; Aelbert Cuyp's Innovative Use of Spatial Devices; Colour Symbolism in Seventeenth-Century Dutch Painting |
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| Descrizione fisica: | 1 Online-Ressource (229 pages) |
| ISBN: | 9789053567135 9048505380 9053567135 9789048505388 |
