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Cinema's alchemist : the films of Péter Forgács
Introduction / Bill Nichols -- Setting the Scene. Péter Forgács: an interview / Scott MacDonald -- The memory of loss: Péter Forgács' Saga of family life and social hell / Péter Forgacs and Bill Nichols, in dialogue -- The Holocaust Films. Toward a new historiography: the aesthetics of tem...
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Document Type: | Online Resource Book |
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Language: | English |
Published: |
Minneapolis
: University of Minnesota Press
, 2011
|
Series: | Visible evidence
v. 25 |
Subjects: | |
Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.ctttt9j6 |
Related Items: | Print version:
Cinema's alchemist |
Author Notes: | Bill Nichols and Michael Renov, editors |
E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
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490 | 0 | |a Visible evidence |v v. 25 | |
500 | |a Includes bibliographical references and index | ||
520 | |a Introduction / Bill Nichols -- Setting the Scene. Péter Forgács: an interview / Scott MacDonald -- The memory of loss: Péter Forgács' Saga of family life and social hell / Péter Forgacs and Bill Nichols, in dialogue -- The Holocaust Films. Toward a new historiography: the aesthetics of temporality / Ernst van Alphen -- Ordinary film: The maelstrom / Michael S. Roth -- Historical discourses of the unimaginable: The maelstrom / Michael Renov -- Waiting, hoping, among the Ruins of All the Rest / Kaja Silverman -- The trace: framing the presence of the past in Free fall / Malin Wahlberg -- Other films/other contexts. How to make history perceptible: The Bartos family and the private Hungary series / Roger Odin -- Found images as witness to Central European history: a Bibø reader and Miss Universe 1929 / Catherine Portuges -- Reenvisioning the documentary fact: on saying and showing in Wittgenstein Tractatus and bourgeois dictionaries / Tyrus Miller -- The world rewound: Wittgenstein Tractatus / Whitney Davis -- Taking the part for the whole: some thoughts inspired by the film music of Tibor Szemzø / Tamøs Korønyi -- Analytical spaces: the installations of Péter Forgács / Laszlo F. Føldønyi -- Reorchestrating history: transforming The Danube exodus into a database documentary / Marsha Kinder | ||
520 | |a Introduction / Bill Nichols -- Setting the Scene. Péter Forgács: an interview / Scott MacDonald -- The memory of loss: Péter Forgács' Saga of family life and social hell / Péter Forgacs and Bill Nichols, in dialogue -- The Holocaust Films. Toward a new historiography: the aesthetics of temporality / Ernst van Alphen -- Ordinary film: The maelstrom / Michael S. Roth -- Historical discourses of the unimaginable: The maelstrom / Michael Renov -- Waiting, hoping, among the Ruins of All the Rest / Kaja Silverman -- The trace: framing the presence of the past in Free fall / Malin Wahlberg -- Other films/other contexts. How to make history perceptible: The Bartos family and the private Hungary series / Roger Odin -- Found images as witness to Central European history: a Bibø reader and Miss Universe 1929 / Catherine Portuges -- Reenvisioning the documentary fact: on saying and showing in Wittgenstein Tractatus and bourgeois dictionaries / Tyrus Miller -- The world rewound: Wittgenstein Tractatus / Whitney Davis -- Taking the part for the whole: some thoughts inspired by the film music of Tibor Szemzø / Tamøs Korønyi -- Analytical spaces: the installations of Péter Forgács / Laszlo F. Føldønyi -- Reorchestrating history: transforming The Danube exodus into a database documentary / Marsha Kinder | ||
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600 | 1 | 0 | |a Forgács, Péter |
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650 | 4 | |a PERFORMING ARTS ; Film & Video ; Direction & Production | |
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