Reading abstract expressionism : context and critique

"Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues. This up-to-date anthology is the first com...

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Bibliographic Details
Other Authors: Landau, Ellen G. (Editor, HerausgeberIn)
Document Type: Online Resource Book
Language:English
Published: New Haven : Yale University Press , 2005
Online Access:http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt32bk1z
Related Items:Print version: Reading abstract expressionism
Author Notes:edited and with an introduction by Ellen G. Landau
E-Book Packages:JSTOR E-Books in Art, Design and Photography
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245 1 0 |a Reading abstract expressionism  |b context and critique  |c edited and with an introduction by Ellen G. Landau 
264 1 |a New Haven  |b Yale University Press  |c 2005 
300 |a 1 Online-Ressource (xiii, 716 pages) 
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500 |a Includes bibliographical references (pages 665-706) and index 
505 8 0 |t Introduction : abstract expressionism : changing methodologies for interpreting meaning ; 1940s : mythologizing the movement ; Excerpt from letter to his sister Vartoosh  |r Arshile Gorky 
505 8 0 |t Excerpt from "Art in New York"  |r Adolph Gottlieb and Mark Rothko 
505 8 0 |t Excerpts from "The modern painter's world"  |r Robert Motherwell 
505 8 0 |t questionnaire  |r Jackson Pollock 
505 8 0 |t Thesis  |r Norman Lewis 
505 8 0 |t Application for a Guggenheim Fellowship  |r Jackson Pollock 
505 8 0 |t ideographic picture  |r Barnett Newman 
505 8 0 |t sublime is now  |r Barnett Newman 
505 8 0 |t My painting  |r Jackson Pollock 
505 8 0 |t romantics were prompted  |r Mark Rothko 
505 8 0 |t Excerpts from System and dialectics of art  |r John Graham 
505 8 0 |t Excerpt from "The realm of art : a new platform; 'globalism' pops into view"  |r Edward Alden Jewell 
505 8 0 |t Excerpt from "Whither goes abstract and surrealist art?  |r Maude Riley 
505 8 0 |t problem for critics  |r Howard Putzel 
505 8 0 |t Editorial preface  |r Robert Motherwell and Harold Rosenberg 
505 8 0 |t intrasubjectives  |r Samuel M. Kootz and Harold Rosenberg 
505 8 0 |t 1950s : establishing authority ; Excerpts from artists' sessions at Studio 35  |r Edited by Robert Goodnough 
505 8 0 |t David Smith makes a sculpture  |r Elaine de Kooning 
505 8 0 |t Statement  |r Clyfford Still 
505 8 0 |t de Kooning paints a picture  |r Thomas B. Hess 
505 8 0 |t Artist's statement  |r Louise Bourgeois 
505 8 0 |t legacy of Jackson Pollock  |r Allan Kaprow 
505 8 0 |t In the galleries : Franz Kline  |r Martica Sawin 
505 8 0 |t American action painters  |r Harold Rosenberg 
505 8 0 |t "American-type painting"  |r Clement Greenberg 
505 8 0 |t Excerpts from "The liberating quality of avant-garde art"  |r Meyer Schapiro 
505 8 0 |t International reaction to Alfred H. Barr Jr., "The new American painting" ; Revista  |r Mercedes Molleda 
505 8 0 |t La Libre Belgique  |r L.D.H. 
505 8 0 |t Le Phare  |r Unsigned 
505 8 0 |t Der Tagesspiegel  |r Will Grohmann 
505 8 0 |t 1960s : consolidating the canon ; unwanted title : abstract expressionism  |r P.G. Pavia 
505 8 0 |t We interview Lee Krasner  |r Louise Elliott Rago 
505 8 0 |t abstract sublime  |r Robert Rosenblum 
505 8 0 |t Excerpts from American abstract expressionists and imagists  |r H.H. Arnason 
505 8 0 |t biomorphic '40s  |r Lawrence Alloway 
505 8 0 |t Jackson Pollock  |r Michael Fried 
505 8 0 |t Concerning the beginnings of the New York School, 1939-1943 : an interview with Peter Busa and Matta, conducted in Minneapolis in December 1966  |r Sidney Simon 
505 8 0 |t Concerning the beginnings of the New York School, 1939-1943 : an interview with Robert Motherwell conducted in New York in January 1967  |r Sidney Simon 
505 8 0 |t 1970s : emerging contexts and closer readings ; Jungian aspects of Jackson Pollock's imagery  |r Judith Wolfe 
505 8 0 |t Residual sign systems in abstract expressionism  |r Lawrence Alloway 
505 8 0 |t Robert Motherwell's Elegies to the Spanish Republic  |r Robert C. Hobbs 
505 8 0 |t Excerpt from "Abstract expressionism : the politics of apolitical painting," part 3  |r David Shapiro and Cecile Shapiro 
505 8 0 |t Graham, Gorky, de Kooning and the "Ingres revival" in America  |r Melvin P. Lader 
505 8 0 |t Symbolic pregnance in Mark Rothko and Clyfford Still  |r Donald B. Kuspit 
505 8 0 |t 1980s : reading new significations ; new adventures of the avant-garde in America : Greenberg, Pollock, or from Trotskyism to the New Liberalism of the "vital center"  |r Serge Guilbaut 
505 8 0 |t James Joyce and the first generation New York School  |r Evan R. Firestone 
505 8 0 |t market for abstract expressionism : the time lag between critical and commercial acceptance  |r A. Deirdre Robson 
505 8 0 |t impact of Nietzsche and Northwest Coast Indian art on Barnett Newman's idea of redemption in the abstract sublime  |r W. Jackson Rushing 
505 8 0 |t rhetoric of abstract expressionism  |r Ann Gibson 
505 8 0 |t 1990s : re(de)fining abstract expressionism ; Martha Graham and abstract expressionism  |r Stephen Polcari 
505 8 0 |t "Introduction," "Abstract expressionism and Afro-American marginalisation," and "Dissent during the McCarthy period"  |r David Craven 
505 8 0 |t Modern man discourse and the New York School  |r Michael Leja 
505 8 0 |t In defense of abstract expressionism  |r T.J. Clark 
505 8 0 |t Reconsidering the stain : on gender, identity, and New York School painting  |r Lisa Saltzman 
505 8 0 |t Of the earth, the damned, and of the recreated : aspects of Clyfford Still's earlier work  |r David Anfam 
505 8 0 |t Excerpt from "Water and lipstick : de Kooning in transition"  |r Richard Shiff 
505 8 0 |t Barnett Newman's stripe paintings and Kabbalah : a Jewish take  |r Matthew Baigell 
505 8 0 |t Arcadian nightmares : the evolution of David Smith and Dorothy Dehner's work at Bolton Landing  |r Joan M. Marter 
505 8 0 |t crisis of the easel picture  |r Rosalind E. Krauss. 
520 |a "Abstract Expressionism is arguably the most important art movement in postwar America. Many of its creators and critics became celebrities, participating in heated public debates that were published in newspapers, magazines, and exhibition catalogues. This up-to-date anthology is the first comprehensive collection of key critical writings about Abstract Expressionism from its inception in the 1940s to the present day."--Jacket 
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650 0 |a Art, American 
650 0 |a Abstract expressionism 
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650 4 |a Abstrakter Expressionismus 
650 4 |a ART ; General 
650 4 |a Art, American 
650 4 |a Ästhetik 
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650 4 |a Beeldende kunsten 
650 4 |a Expressionisme 
650 4 |a United States 
650 4 |a USA 
650 4 |a Quelle 
650 4 |a Sources 
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