Loading...
Bauhaus weaving theory : from feminine craft to mode of design
Acknowledgments -- Introduction -- 1. Pictures Made of Wool -- 2. Toward a Modernist Theory of Weaving -- 3. The Haptics of Optics -- 4. Weaving as Invention -- Conclusion -- Notes -- Index.
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Minneapolis, MN
: University of Minnesota Press
, 2014
|
| Subjects: | |
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.ctt9qh311 |
| Related Items: | Print version:
Bauhaus weaving theory |
| Author Notes: | T'ai Smith |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
| LEADER | 05016cam a22009612c 4500 | ||
|---|---|---|---|
| 001 | 1003791867 | ||
| 003 | DE-627 | ||
| 005 | 20250405182425.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 190301s2014 xxu|||||o 00| ||eng c | ||
| 020 | |a 9780816687237 |c electronic bk. |9 978-0-8166-8723-7 | ||
| 020 | |a 1452943230 |c : electronic bk. |9 1-4529-4323-0 | ||
| 020 | |a 0816687242 |9 0-8166-8724-2 | ||
| 020 | |a 0816687234 |9 0-8166-8723-4 | ||
| 020 | |a 9780816687244 |9 978-0-8166-8724-4 | ||
| 020 | |a 9781452943237 |c : electronic bk. |9 978-1-4529-4323-7 | ||
| 024 | 7 | |a 10.5749/j.ctt9qh311 |2 doi | |
| 035 | |a (DE-627)1003791867 | ||
| 035 | |a (DE-576)518273458 | ||
| 035 | |a (DE-599)GBV1003791867 | ||
| 035 | |a (OCoLC)894894578 | ||
| 035 | |a (KFL)prod_GADD_ocn894894578 | ||
| 035 | |a (DE-627-1)048751952 | ||
| 040 | |a DE-627 |b eng |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 044 | |c XD-US | ||
| 050 | 0 | |a NK8998.B38 | |
| 072 | 7 | |a DES 013000 |2 bisacsh | |
| 072 | 7 | |a SOC028000 |2 bisacsh | |
| 072 | 7 | |a ART015000 |2 bisacsh | |
| 072 | 7 | |a DES008000 |2 bisacsh | |
| 072 | 7 | |a ART015000 |a DES008000 |a SOC028000 |2 bisacsh | |
| 082 | 0 | |a 746.0943 | |
| 084 | |a KUNST |q DE-14 |2 fid | ||
| 084 | |a KUNST |q DE-16 |2 fid | ||
| 100 | 1 | |a Smith, T'ai Lin |d 1975- |0 (DE-588)136308872 |0 (DE-627)579316548 |0 (DE-576)30095459X |4 aut | |
| 245 | 1 | 0 | |a Bauhaus weaving theory |b from feminine craft to mode of design |c T'ai Smith |
| 264 | 1 | |a Minneapolis, MN |b University of Minnesota Press |c 2014 | |
| 300 | |a 1 Online-Ressource (1 online resource) | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Acknowledgments -- Introduction -- 1. Pictures Made of Wool -- 2. Toward a Modernist Theory of Weaving -- 3. The Haptics of Optics -- 4. Weaving as Invention -- Conclusion -- Notes -- Index. | ||
| 520 | |a The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts | ||
| 546 | |a English | ||
| 610 | 1 | 0 | |a Bauhaus |
| 648 | 4 | |a 1900-1999 | |
| 650 | 0 | |a Women textile designers |z Germany | |
| 650 | 0 | |a Textile design |z Germany |x History |y 20th century | |
| 650 | 0 | |a Weaving |z Germany |x History |y 20th century | |
| 650 | 0 | |a Women textile designers | |
| 650 | 0 | |a Textile design | |
| 650 | 0 | |a Weaving | |
| 650 | 0 | |a Modernism (Art) | |
| 650 | 0 | |a Art and craft debate | |
| 650 | 4 | |a Bauhaus Dessau | |
| 650 | 4 | |a Staatliches Bauhaus Weimar | |
| 650 | 4 | |a Ästhetik | |
| 650 | 4 | |a Textilkünstlerin | |
| 650 | 4 | |a Webarbeit | |
| 650 | 4 | |a Bauhaus | |
| 650 | 4 | |a ART ; History ; General | |
| 650 | 4 | |a DESIGN ; History & Criticism | |
| 650 | 4 | |a DESIGN ; Textile & Costume | |
| 650 | 4 | |a SOCIAL SCIENCE ; Women's Studies | |
| 650 | 4 | |a Germany | |
| 650 | 4 | |a History | |
| 650 | 4 | |a Modernisme (Art) | |
| 650 | 4 | |a Textiles et tissus - Dessins - Allemagne - Histoire - 20e siècle | |
| 650 | 4 | |a Tissage - Allemagne - Histoire - 20e siècle | |
| 650 | 4 | |a Débats sur l'art et l'artisanat | |
| 650 | 4 | |a Dessinatrices de tissus - Allemagne | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |w (DE-600)2014028046 |
| 776 | 0 | 8 | |i Print version |a Smith, T'ai Lin, 1975- |t Bauhaus weaving theory |w (DLC)2014028046 |
| 912 | |a ZDB-1-JFK | ||
| 935 | |i IMPORT_0628_prod_GADD_01 | ||
| 935 | |i IMPORT_0628_prod_GADD_02 | ||
| 935 | |i IMPORT_0628_prod_GADD_03 | ||
| 951 | |a BO | ||
| 856 | |u http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5749/j.ctt9qh311 | ||
| 997 | |a ZDB-1-JFK | ||
| 999 | |a KXP-PPN1003791867 |e 3382231670 | ||
