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Looking Jewish : visual culture and modern diaspora

Beyond the ghetto walls: shtetl to nation in photography by Alter Kacyzne and Moshe Vorobeichic -- Modern artist, modern Jew: Bruno Schulz's diasporas -- Z'chor! Roman Vishniac's photo-eulogy of Eastern European Jews -- Difference in diaspora: the Yiddishe mama, the Jewish mother, the...

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Bibliographic Details
Main Author: Zemel, Carol (Author, VerfasserIn)
Document Type: Online Resource Book
Language:English
Published: Bloomington : Indiana University Press , [2015]
Subjects:
Online Access:http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt16gzjbs
Related Items:Erscheint auch als: Looking Jewish
Author Notes:Carol Zemel
E-Book Packages:JSTOR E-Books in Art, Design and Photography
Notes:FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz)
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520 |a Jewish art and visual culture-art made by Jews about Jews-in modern diasporic settings is the subject of Looking Jewish. Carol Zemel focuses on particular artists and cultural figures in interwar Eastern Europe and postwar America who blended Jewishness and mainstream modernism to create a diasporic art, one that transcends dominant national traditions. She begins with a painting entitled Albert: Used to Be Abraham, a double portrait of a man, which serves to illustrate Zemel's conception of the doubleness of Jewish diasporic art. She considers two interwar photographers, Alter Kacyzne and Moshe Vorobeichic; images by the Polish writer Bruno Schulz; the pre- and postwar photographs of Roman Vishniac; the figure of the Jewish mother in postwar popular culture (Molly Goldberg); and works by R.B. Kitaj, Ben Katchor, and Vera Frenkel that explore Jewish identity in a postmodern environment 
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