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Renaissance posthumanism
Cover; Contents; Introduction: Renaissance Posthumanism; 1. What Posthumanism Isn't: On Humanism and Human Exceptionalism in the Renaissance; 2. Titian's Flaying of Marsyas: Thresholds of the Human and the Limits of Painting; 3. Rabelais's Silenic Regime: The Fundamentals of Gargantua...
Saved in:
| Other Authors: | |
|---|---|
| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
New York, NY
: Fordham University Press
, 2016
|
| Edition: | First edition |
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt19rm9pj |
| Related Items: | Erscheint auch als:
Renaissance posthumanism |
| Author Notes: | edited by Joseph Campana and Scott Maisano |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
| Notes: | FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz) |
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| 245 | 1 | 0 | |a Renaissance posthumanism |c edited by Joseph Campana and Scott Maisano |
| 250 | |a First edition | ||
| 264 | 1 | |a New York, NY |b Fordham University Press |c 2016 | |
| 300 | |a 1 Online-Ressource (1 online resource) | ||
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| 500 | |a Includes bibliographical references and index | ||
| 520 | |a Cover; Contents; Introduction: Renaissance Posthumanism; 1. What Posthumanism Isn't: On Humanism and Human Exceptionalism in the Renaissance; 2. Titian's Flaying of Marsyas: Thresholds of the Human and the Limits of Painting; 3. Rabelais's Silenic Regime: The Fundamentals of Gargantua; 4. A Natural History of Ravishment; 5. Farmyard Choreographies in Early Modern England; 6. Oves et Singulatim: A Multispecies Impression; 7. Wooden Actors on the English Renaissance Stage; 8. Beyond Human: Visualizing the Sexuality of Abraham Bosse's Mandrake; 9. Shakespeare's Mineral Emotions. | ||
| 520 | |a Epilogue: H Is for HumanismAcknowledgments; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z. | ||
| 520 | |a Renaissance Posthumanism brings together two historical periods--""Renaissance"" signifying a rebirth of the ancient and ""Posthumanism"" a death of the modern--to ponder each through the possibilities of the other. This collection rethinks the humanities under the auspices of the posthumanities of the posthumanities under the auspices of Renaissance humanism | ||
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