Loading...
Rembrandt's roughness
Cover; Title; Copyright; Contents; Introduction; 1 The Painterâ#x80;#x99;s Intention; 2 Clair-Obscure I: Shadow Play; 3 Deepened Insight: On the Visibility of Rembrandtâ#x80;#x99;s Imprimatura; 4 Clair-Obscure II: Light Play; 5 The Color Red as Visionary Space; 6 Signing Off; Epilogue; Notes; Bibl...
Saved in:
Main Author: | |
---|---|
Document Type: | Online Resource Book |
Language: | English |
Published: |
Princeton, NJ
: Princeton University Press
, 2018
|
Subjects: | |
Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt1zkjxmf |
Author Notes: | Nicola Suthor |
E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
Notes: | FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz) |
LEADER | 04002cam a22006252 4500 | ||
---|---|---|---|
001 | 1755579071 | ||
003 | DE-627 | ||
005 | 20241230011347.0 | ||
007 | cr uuu---uuuuu | ||
008 | 210421s2018 xxu|||||o 00| ||eng c | ||
020 | |a 9781400890200 |c electronic bk. |9 978-1-4008-9020-0 | ||
020 | |a 1400890209 |c electronic bk. |9 1-4008-9020-9 | ||
020 | |z 9780691172446 | ||
020 | |z 0691172447 | ||
035 | |a (DE-627)1755579071 | ||
035 | |a (DE-599)KEP062994891 | ||
035 | |a (KFL)prod_GADD_on1021825682 | ||
035 | |a (DE-627-1)062994891 | ||
040 | |a DE-627 |b ger |c DE-627 |e rakwb | ||
041 | |a eng | ||
044 | |c XD-US | ||
050 | 0 | |a ND653.R4 | |
072 | 7 | |a ART009000 |2 bisacsh | |
072 | 7 | |a ART015090 |2 bisacsh | |
072 | 7 | |a ART016000 |2 bisacsh | |
072 | 7 | |a ART015030 |2 bisacsh | |
082 | 0 | |a 759.9492 | |
084 | |a KUNST |q DE-14 |2 fid | ||
084 | |a KUNST |q DE-16 |2 fid | ||
100 | 1 | |8 1\p |a Suthor, Nicola |0 (DE-588)116064814X |0 (DE-627)1024076237 |0 (DE-576)506116611 |4 aut | |
245 | 1 | 0 | |a Rembrandt's roughness |c Nicola Suthor |
264 | 1 | |a Princeton, NJ |b Princeton University Press |c 2018 | |
300 | |a 1 Online-Ressource (1 online resource) | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a Computermedien |b c |2 rdamedia | ||
338 | |a Online-Ressource |b cr |2 rdacarrier | ||
520 | |a Cover; Title; Copyright; Contents; Introduction; 1 The Painterâ#x80;#x99;s Intention; 2 Clair-Obscure I: Shadow Play; 3 Deepened Insight: On the Visibility of Rembrandtâ#x80;#x99;s Imprimatura; 4 Clair-Obscure II: Light Play; 5 The Color Red as Visionary Space; 6 Signing Off; Epilogue; Notes; Bibliography; Index; Photo Credits. | ||
520 | |a Roughness is the sensual quality most often associated with Rembrandt's idiosyncratic style. It best defines the specific structure of his painterly textures, which subtly capture and engage the imagination of the beholder. Rembrandt's Roughness examines how the artist's unconventional technique pushed the possibilities of painting into startling and unexpected realms. Drawing on the phenomenological insights of Edmund Husserl as well as firsthand accounts by Rembrandt's contemporaries, Nicola Suthor provides invaluable new perspectives on many of the painter's best-known masterpieces, including The Anatomy Lesson of Dr. Deyman, The Return of the Prodigal Son, and Aristotle with a Bust of Homer. She focuses on pictorial phenomena such as the thickness of the paint material, the visibility of the colored priming, and the dramatizing element of chiaroscuro, showing how they constitute Rembrandt's most effective tools for extending the representational limits of painting. Suthor explores how Rembrandt developed a visually precise handling of his artistic medium that forced his viewers to confront the paint itself as a source of meaning, its challenging complexity expressed in the subtlest stroke of his brush. A beautifully illustrated meditation on a painter like no other, Rembrandt's Roughness reflects deeply on the intellectual challenge that Rembrandt's unrivaled artistry posed to the art theory of his time and its eminent role in the history of art today | ||
600 | 1 | 0 | |a Rembrandt Harmenszoon van Rijn |d 1606-1669 |x Criticism and interpretation |
600 | 1 | 4 | |a Rembrandt Harmenszoon van Rijn |
600 | 1 | 4 | |a Rembrandt Harmenszoon van Rijn - 1606-1669 |
650 | 4 | |a ART ; Criticism & Theory | |
650 | 4 | |a Criticism, interpretation, etc | |
776 | 1 | |z 0691172447 | |
776 | 1 | |z 9780691172446 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 0691172447 |z 9780691172446 |
883 | |8 1 |a cgwrk |d 20241001 |q DE-101 |u https://d-nb.info/provenance/plan#cgwrk | ||
912 | |a ZDB-1-JFK | ||
935 | |i IMPORT_0628_prod_GADD_02 | ||
935 | |i IMPORT_0628_prod_GADD_03 | ||
951 | |a BO | ||
996 | |z FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz) | ||
856 | |u http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctt1zkjxmf | ||
997 | |a ZDB-1-JFK | ||
999 | |a KXP-PPN1755579071 |e 3918227758 |