Images, improvisations, sound, and silence from 1000 to 1800 : degree zero

Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar...

Full description

Saved in:
Bibliographic Details
Other Authors: Hellemans, Babette (Editor, HerausgeberIn)
Nelson, Alissa Jones (Editor, HerausgeberIn)
Document Type: Online Resource Book
Language:English
Published: Amsterdam : Amsterdam University Press , [2018]
Series:Knowledge communities
Subjects:
Electronic books
Online Access:http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctv62hdbg
Related Items:Erscheint auch als: Images, improvisations, sound, and silence from 1000 to 1800
Author Notes:edited by Babette Hellemans and Alissa Jones Nelson
E-Book Packages:JSTOR E-Books in Art, Design and Photography
Notes:FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz)
LEADER 07317cam a22009372 4500
001 1755579179
003 DE-627
005 20241230011349.0
007 cr uuu---uuuuu
008 210421s2018 ne |||||o 00| ||eng c
020 |a 9789048529186  |c electronic book  |9 978-90-485-2918-6 
020 |a 9048529182  |c electronic book  |9 90-485-2918-2 
020 |a 9462980055  |c hardcover  |9 94-6298-005-5 
020 |a 9789462980051  |9 978-94-6298-005-1 
020 |z 9789462980051 
035 |a (DE-627)1755579179 
035 |a (DE-599)KEP062994999 
035 |a (KFL)prod_GADD_on1054092936 
035 |a (DE-627-1)062994999 
040 |a DE-627  |b eng  |c DE-627  |e rda 
041 |a eng 
044 |c XA-NL 
050 0 |a BH39 
050 0 |a NX449 
072 7 |a ART 000000  |2 bisacsh 
072 7 |a ART 009000  |2 bisacsh 
072 7 |a ART 015000  |2 bisacsh 
072 7 |a HIS 000000  |2 bisacsh 
082 0 |a 111/.8509 
082 0 |a 700.902 
084 |a KUNST  |q DE-14  |2 fid 
084 |a KUNST  |q DE-16  |2 fid 
245 1 0 |a Images, improvisations, sound, and silence from 1000 to 1800  |b degree zero  |c edited by Babette Hellemans and Alissa Jones Nelson 
264 1 |a Amsterdam  |b Amsterdam University Press  |c [2018] 
300 |a 1 Online-Ressource (251 pages) 
336 |a Text  |b txt  |2 rdacontent 
337 |a Computermedien  |b c  |2 rdamedia 
338 |a Online-Ressource  |b cr  |2 rdacarrier 
490 0 |a Knowledge communities 
500 |a Includes bibliographical references and index 
520 |a Cover; Table of Contents; Preface and Acknowledgements; Ouverture; Images; 1 The Two Bodies of the Virgin; 2 The Three Ages of Man and the Materialization of an Allegory; 3 Lapsus figurae; Improvisations; 4 Drawing a Line and Questioning Art; 5 Fall and Rise Again; 6 Improvisation as a Chief Pillar of the Poetic Art in Persian Literary Tradition; Sound; 7 Intending the Listener; 8 The Sovereign Ear; 9 Where Sound and Meaning Part; Silence; 10 Writing about Silence and the Secret in the Twelfth Century; 11 An Arrangement of Silence; 12 Dimidia Hora; List of Contributors; Index 
520 |a List of FiguresChapter 1; Figure 1 The Queen of the Amazons; Cirio de Nazaré, Belém, 13 October 2013.; Figure 2 The Romaria fluvial; Belém, 12 October 2013.; Figure 3 Map of the Town of Belém.; Figure 4 The Virgin in the berlinda; Cirio de Nazaré, Belém, 13 October 2013.; Figure 5 Ex voto of a house, expressing a wish for a roof to live under; Cirio de Nazaré, Belém, 13 October 2013.; Figure 6 Shipwreck of the Frigate Sao Joao Batista, off the coast of Pará. Lithograph, 32 x 23 cm, signed by H. Jannim, Paris, first half of the nineteenth century. 
520 |a Figure 7 Wooden boat, commemorating the Virgin's rescue of sailors at sea, sold from stalls in the Praça do Carmo Cirio de Nazaré, Belém, 13 October 2013.; Figure 8 Praça do Carmo (Square of the Carmelites); Cirio de Nazaré, Belém, 13 October 2013.; Figure 9 Image of the corda, the rope that pulls and steers the berlinda, as a central symbol of the procession; Cirio de Nazaré, Belém, 13 October 2013.; Figure 10 The peregrina on the arraial in front of the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013. 
520 |a Figure 11 Crowds placing written supplications, promessas, and coloured ribbons around the peregrina on the arraial in front of the Basilica of San Nazaré Cirio de Nazaré, Belém, 13 October 2013.; Figure 12 Crowds taking digital photos of the original in the Basilica of San Nazaré; Cirio de Nazaré, Belém, 13 October 2013.; Figure 13 The wagon on which the statue of Shiva is carried around the perimeter of the temple; Madurai, Tamil Nadu.; Chapter 2; Figure 1 Triciput of the Ages of Man, Inv. no. 73/1, Bavarian National Museum, Munich.; Chapter 3 
520 |a Figure 1 L'Insensé. Illustration no. 81 in Garnier, L'âne à la lyre, sottisier d'iconographie médiévale (Paris: Léopard d'or, 1988) negative by Pierre-Olivier Dittmar.; Figure 2 Moses receiving the tablets of the law and the adoration of the golden calf, Psalter of Blanche of Castile, early thirteenth century; Paris BnF, Arsenal, ms. 1186, f. 14, negative Bibliothèque nationale de France.; Figure 3 'A Jew looks on the weeping earth', Psalter of Marote de Hamel; Paris, BnF. Lat. 10435, f. 11v., end of the thirteenth century, negative Bibliothèque nationale de France. 
520 |a The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create 
650 0 |a Arts  |x Philosophy 
650 0 |a Arts, Medieval 
650 0 |a Arts, Modern 
650 0 |a Sound in art 
650 0 |a Sound in literature 
650 0 |a Silence in literature 
650 4 |a ART ; General 
650 4 |a Arts ; Philosophy 
650 4 |a Arts, Medieval 
650 4 |a Arts, Modern 
650 4 |a Silence in literature 
650 4 |a Sound in art 
650 4 |a Sound in literature 
650 4 |a Silence dans la littérature 
650 4 |a History 
650 4 |a Arts médiévaux 
653 |a Anthropology 
653 |a Image 
653 |a Literature 
653 |a Music 
653 |a Premodern History 
655 0 |a Electronic books 
700 1 |8 1\p  |a Hellemans, Babette  |d 1974-  |e HerausgeberIn  |0 (DE-588)143045806  |0 (DE-627)641862105  |0 (DE-576)334751284  |4 edt 
700 1 |8 2\p  |a Nelson, Alissa Jones  |e HerausgeberIn  |0 (DE-588)1023068141  |0 (DE-627)717358100  |0 (DE-576)36634577X  |4 edt 
776 0 8 |i Erscheint auch als  |n Druck-Ausgabe  |t Images, improvisations, sound, and silence from 1000 to 1800  |d Amsterdam : Amsterdam University Press, [2018]  |w (DLC)2018483623 
883 |8 1  |a cgwrk  |d 20241001  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
883 |8 2  |a cgwrk  |d 20241001  |q DE-101  |u https://d-nb.info/provenance/plan#cgwrk 
912 |a ZDB-1-JFK 
935 |i IMPORT_0628_prod_GADD_02 
935 |i IMPORT_0628_prod_GADD_03 
951 |a BO 
996 |z FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz) 
856 |u http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctv62hdbg 
997 |a ZDB-1-JFK 
999 |a KXP-PPN1755579179  |e 3918227545 

Similar Items