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A world art history and its objects

Summary: "Explores the question of how an art history of all cultures could be written or if it is even possible to do so. Examines the political and moral issues raised by the consideration of a multicultural art history"--Provided by publisher.

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Bibliographic Details
Main Author: Carrier, David (Author, VerfasserIn)
Document Type: Online Resource Book
Language:English
Published: University Park, Pennsylvania : The Pennsylvania State University Press , [2008]
Subjects:
Online Access:http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.5325/j.ctv14gpcs2
Related Items:Erscheint auch als: A world art history and its objects
Author Notes:David Carrier
E-Book Packages:JSTOR E-Books in Art, Design and Photography
Notes:FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz)
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520 |a Overture: Islamic carpets in European paintings -- Works of art and art-historical narratives -- Monocultural art-history narratives -- Why monoculturalism is not the whole story -- What happens when art-making traditions intersect -- Charts and works of art -- Importance of an aesthetic -- Exotic aesthetics -- How exotic can exotic art be? -- Our world art history is imperialism seen aesthetically -- Mutual respect as an ethical ideal -- Conclusion: the coming transformation of Western art history. 
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