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From a nation torn : decolonizing art and representation in France, 1945-1962
Introduction: Notes on art during war and the potentialities of decolonial representation -- André Malraux and the image of the past as the future of the present -- Fragments; or, the ends of photography -- Fac̦ades; or, the space of silence -- Between resistance and refusal: the language of art an...
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| Main Author: | |
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| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Durham ; London
: Duke University Press
, 2014
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| Series: | Objects / Histories critical perspectives on art, material culture, and representation
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| Subjects: | |
| Online Access: | http://kunst.proxy.fid-lizenzen.de/fid/jstor-ebooks-art/www.jstor.org/stable/10.2307/j.ctv1220kjn |
| Related Items: | Erscheint auch als:
From a nation torn |
| Author Notes: | Hannah Feldman |
| E-Book Packages: | JSTOR E-Books in Art, Design and Photography |
| Notes: | FID-Lizenz "FID Kunst, Fotografie, Design" (keine Universitätslizenz) |
Table of Contents:
- Introduction: Notes on art during war and the potentialities of decolonial representationAndré Malraux and the image of the past as the future of the present
- Fragments; or, the ends of photography
- Fac̦ades; or, the space of silence
- Between resistance and refusal: the language of art and its publics
- Sonic youth, sonic space: Isidore Isou and the lettrist accoustics of deterritorialization
- La France Déchirée: the politics of representation and the spaces in between
- Reidentifications; or, seeing citizens being seen
- "The eye of history": photojournalism, protest, and the manifestation of 17 October 1961
- Looking past the state of emergency: a coda.
