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Objects in air : artworks and their outside around 1900
Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl...
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| Dokumenttyp: | Online-Ressource Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago ; London
: The University of Chicago Press
, 2021
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| Schlagwörter: | |
| Online Zugang: | http://kunst.proxy.fid-lizenzen.de/fid/upso-ebooks-art/academic.oup.com/chicago-scholarship-online/book/42787 |
| Bibliogr. Hinweis: | Erscheint auch als:
Objects in air |
| Verantwortlich: | Margareta Ingrid Christian |
| E-Book-Pakete: | Oxford University Press : University Presses Scholarship Online / Art and Architecture |
| Zusammenfassung: | Margareta Ingrid Christian unpacks the ways in which, around 1900, art scholars, critics, and choreographers wrote about the artwork as an actual object in real time and space, surrounded and fluently connected to the viewer through the very air we breathe. Theorists such as Aby Warburg, Alois Riegl, Rainer Maria Rilke, and the choreographer Rudolf Laban drew on the science of their time to examine air as the material space surrounding an artwork, establishing its 'milieu,' 'atmosphere,' or 'environment.' Christian explores how the artwork's external space was seen to work as an aesthetic category in its own right, beginning with Rainer Maria Rilke's observation that Rodin's sculpture 'exhales an atmosphere' and that Cezanne's colours create 'a calm, silken air' that pervades the empty rooms where the paintings are exhibited |
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| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (240 Seiten) Illustrationen |
| ISBN: | 9780226764801 |
