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Mock humanity
This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his 'H...
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| Main Authors: | |
|---|---|
| Other Authors: | |
| Document Type: | Book |
| Language: | English Dutch |
| Published: |
Gent
: A&S/Books
, [2018]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Author Notes: | Bart Verschaffel |
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| 246 | 1 | |i Titelzusatz auf dem Buchcover |a Two essays on James Ensor's grotesques | |
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| 520 | |a This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his 'History of Caricature'. A second essay analyses how these weird creatures infiltrate the image borders and the frames of Ensor's paintings in order to disturb the 'normal' world | ||
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