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Comics and the world wars : a cultural record
Introduction -- A proposed theory and method for the incorporation of comic books as primary sources -- Haselden as pioneer: reflecting or constructing home front opinion? -- Proto comics as trench record: anti-heroism, disparagement humour and citizens' journalism -- The rise and fall of the W...
Gespeichert in:
VerfasserInnen: | |
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Dokumenttyp: | Buch |
Sprache: | English |
Veröffentlicht: |
Basingstoke, Hampshire ; New York
: Palgrave Macmillan
, 2015
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Schriftenreihe: | Palgrave studies in the history of media
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Schlagwörter: | |
Online Zugang: | Cover Verlagsangaben Autorenbiografie Inhaltsverzeichnis |
Bibliogr. Hinweis: | Erscheint auch als:
Comics and the World Wars |
Verantwortlich: | Jane Chapman, Anna Hoyles, Andrew Kerr and Adam Sherif, University of Lincoln, UK |
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245 | 1 | 0 | |a Comics and the world wars |b a cultural record |c Jane Chapman, Anna Hoyles, Andrew Kerr and Adam Sherif, University of Lincoln, UK |
264 | 1 | |a Basingstoke, Hampshire |a New York |b Palgrave Macmillan |c 2015 | |
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505 | 8 | 0 | |a IntroductionA proposed theory and method for the incorporation of comic books as primary sources -- Haselden as pioneer: reflecting or constructing home front opinion? -- Proto comics as trench record: anti-heroism, disparagement humour and citizens' journalism -- The rise and fall of the World War One gullible worker as a counter culture -- Adjusting to total war: US propaganda, commerce and audience -- The cultural construction of women: pin-ups, proactive women and representation in combat -- Collective culture as dynamic record: the Daily Worker 1940-43 -- Conclusion. |
520 | |a Introduction -- A proposed theory and method for the incorporation of comic books as primary sources -- Haselden as pioneer: reflecting or constructing home front opinion? -- Proto comics as trench record: anti-heroism, disparagement humour and citizens' journalism -- The rise and fall of the World War One gullible worker as a counter culture -- Adjusting to total war: US propaganda, commerce and audience -- The cultural construction of women: pin-ups, proactive women and representation in combat -- Collective culture as dynamic record: the Daily Worker 1940-43 -- Conclusion | ||
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