Comics and the world wars : a cultural record

Introduction -- A proposed theory and method for the incorporation of comic books as primary sources -- Haselden as pioneer: reflecting or constructing home front opinion? -- Proto comics as trench record: anti-heroism, disparagement humour and citizens' journalism -- The rise and fall of the W...

Ausführliche Beschreibung

Gespeichert in:
Bibliographische Detailangaben
VerfasserInnen: Chapman, Jane (VerfasserIn)
Hoyles, Anna (VerfasserIn)
Kerr, Andrew (VerfasserIn)
Sherif, Adam (VerfasserIn)
Dokumenttyp: Buch
Sprache:English
Veröffentlicht: Basingstoke, Hampshire ; New York : Palgrave Macmillan , 2015
Schriftenreihe:Palgrave studies in the history of media
Schlagwörter:
Erster Weltkrieg
Zweiter Weltkrieg
Comic
Online Zugang:Cover
Verlagsangaben
Autorenbiografie
Inhaltsverzeichnis
Bibliogr. Hinweis:Erscheint auch als: Comics and the World Wars
Verantwortlich:Jane Chapman, Anna Hoyles, Andrew Kerr and Adam Sherif, University of Lincoln, UK
Inhaltsangabe:
  • IntroductionA proposed theory and method for the incorporation of comic books as primary sources
  • Haselden as pioneer: reflecting or constructing home front opinion?
  • Proto comics as trench record: anti-heroism, disparagement humour and citizens' journalism
  • The rise and fall of the World War One gullible worker as a counter culture
  • Adjusting to total war: US propaganda, commerce and audience
  • The cultural construction of women: pin-ups, proactive women and representation in combat
  • Collective culture as dynamic record: the Daily Worker 1940-43
  • Conclusion.

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