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Comics, the Holocaust and Hiroshima
Argues that comics have a dual role as sources on cataclysm between 1939 and 1945, enabling historians to guage awareness of the Holocaust through Quality Comics Group publications in the U.S., and through close analysis of Paroles d'Etoiles in Vichy France and Barefoot Gen in Hiroshima as test...
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Main Authors: | |
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Document Type: | Book |
Language: | English |
Published: |
Basingstoke, Hampshire ; New York, NY
: Palgrave Macmillan
, 2015
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Series: | The Holocaust and its contexts
Palgrave pivot |
Subjects: | |
Online Access: | Cover Inhaltsbeschreibung |
Related Items: | Online-Ausg.:
Comics, the Holocaust and Hiroshima. |
Author Notes: | Jane L. Chapman (University of Lincoln, UK), Dan Ellin (University of Lincoln, UK), and Adam Sherif (University of Lincoln, UK) |
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245 | 1 | 0 | |a Comics, the Holocaust and Hiroshima |c Jane L. Chapman (University of Lincoln, UK), Dan Ellin (University of Lincoln, UK), and Adam Sherif (University of Lincoln, UK) |
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520 | |a Argues that comics have a dual role as sources on cataclysm between 1939 and 1945, enabling historians to guage awareness of the Holocaust through Quality Comics Group publications in the U.S., and through close analysis of Paroles d'Etoiles in Vichy France and Barefoot Gen in Hiroshima as testimonies of child witnesses -- | ||
520 | |a Case study : National Socialist persecution and genocide in contemporary U.S. comic books -- Childhood memories of the Holocaust and Vichy -- Barefoot Gen and Hiroshima : comic strip narratives of trauma | ||
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