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Comics and the senses : a multisensory approach to comics and graphic novels
Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just...
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Online Resource Book |
| Language: | English |
| Published: |
Hoboken
: Taylor and Francis
, 2014
|
| Edition: | Online-Ausg. |
| Series: | Routledge research in cultural and media studies
57 |
| Subjects: | |
| Online Access: | lizenzpflichtig |
| Related Items: | Erscheint auch als:
Comics and the senses |
| Author Notes: | Ian Hague |
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| 245 | 1 | 0 | |a Comics and the senses |b a multisensory approach to comics and graphic novels |c Ian Hague |
| 250 | |a Online-Ausg. | ||
| 264 | 1 | |a Hoboken |b Taylor and Francis |c 2014 | |
| 300 | |a Online-Ressource (1 online resource (199 p.)) |b ill. | ||
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| 490 | 0 | |a Routledge research in cultural and media studies |v 57 | |
| 500 | |a Includes bibliographical references and index. - Description based on print version record | ||
| 505 | 8 | |a Cover; Title; Copyright; Contents; List of Illustrations; Note; Acknowledgements; Introduction; 1 Eye Like Comics, or, Ocularcentrism in Comics Scholarship; 2 Sight, or, the Ideal Perspective and the Physicality of Seeing; 3 Hearing, or, Visible Sounds and Seeing With the Ears; 4 Touch, or, the Taboo/Fetish Character of Comics and Tactile Performance; 5 Smell and Taste, or, the Scent of Nostalgia and the Flavour of Advertising; 6 Multisensory Aspects of the Comics of Alan Moore; Conclusion; References; Index | |
| 520 | |a Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just a visual medium. The book outlines the multisensory aspects of comics: the visual, audible, tactile, olfactory and gustatory elements of the medium. It rejects a synaesthetic approach (by which all the senses are engaged through visual stimuli) and instead argues for a truly multisensory model by wh | ||
| 650 | 0 | |a Comic books, strips, etc |x History and criticism | |
| 650 | 0 | |a Graphic novels |x History and criticism | |
| 650 | 0 | |a Senses and sensation in literature |x Electronic books | |
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