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Consuming painting : food and the feminine in impressionist Paris
Metaphor and materiality in nineteenth-century art criticism -- The flesh of painting -- The confected canvas -- Impressionist market gardener.
Saved in:
| Main Author: | |
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| Document Type: | Book |
| Language: | English |
| Published: |
University Park, Pennsylvania
: The Pennsylvania State University Press
, [2021]
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Author Notes: | Allison Deutsch |
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| 245 | 1 | 0 | |a Consuming painting |b food and the feminine in impressionist Paris |c Allison Deutsch |
| 264 | 1 | |a University Park, Pennsylvania |b The Pennsylvania State University Press |c [2021] | |
| 300 | |a xii, 200 Seiten |b Illustrationen | ||
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| 500 | |a Includes bibliographical references and index | ||
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| 520 | |a "A reexamination of French Impressionism, focusing on the culinary metaphors that the most influential nineteenth-century critics used to express attraction or disgust toward artworks"-- | ||
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| 650 | 0 | |a Impressionism (Art) |z France |z Paris | |
| 650 | 0 | |a Painting, French |z France |z Paris |y 19th century | |
| 650 | 0 | |a Art criticism |z France |z Paris |x History |y 19th century | |
| 650 | 0 | |a Metaphor in art criticism |x History |y 19th century | |
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