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Nineteenth-century women illustrators and cartoonists
Nineteenth-century women illustrators and cartoonists' provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Bar...
Gespeichert in:
| Mitwirkende: | |
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| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Manchester
: Manchester University Press
, 2023
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| Schlagwörter: | |
| Online Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Verantwortlich: | edited by Jo Devereux |
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| 264 | 1 | |a Manchester |b Manchester University Press |c 2023 | |
| 300 | |a xx, 294 Seiten, 16 ungezählte Seiten Tafeln |b Illustrationen |c 25 cm | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Texts written by: Jo Devereux, Bethan Stevens, Laurence Talairach, Nancy V. Workman, Margo L. Beggs, Simon Cooke, Deborah Canavan, Nancy Mark Cantwell, Simon Grennan, Roger Sabin, Julian Waite, Kate Holterhoff, Pamela Gerrish Nunn, Carey Gibbons, Lorraine Janzen Kooistra, Marion Tempest Grant and Jalen Grove | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |t Jemima Blackburn ' believed in nothing' : horror, religion, and animal illustration / |r Bethan Stevens |
| 520 | |a Nineteenth-century women illustrators and cartoonists' provides an in-depth analysis of fifteen women illustrators of the later nineteenth and early twentieth centuries: Jemima Blackburn, Eleanor Vere Boyle, Marianne North, Amelia Francis Howard-Gibbon, Mary Ellen Edwards, Edith Hume, Alice Barber Stephens, Florence and Adelaide Claxton, Marie Duval, Amy Sawyer, Eleanor Fortescue Brickdale, Pamela Colman Smith and Olive Allen Biller. The chapters consider these women?s illustrations in the areas of natural history, periodicals and books, as well as their cartoons and caricatures. Using diverse critical approaches, the volume brings to light the works and lives of these important women illustrators and challenges the hegemony of male illustrators and cartoonists in nineteenth-century visual and print culture | ||
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