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Inglorious artists : art-world satire and the emergence of a capitalist art market in Paris, 1750-1850
"Inglorious Artists traces the origins of the image of the starving artist to late eighteenth- and early nineteenth-century France, where practicing and aspiring visual artists mobilized the emerging genre of graphic satire to publish hundreds of satirical images that satirized the Paris art wo...
Saved in:
| Main Author: | |
|---|---|
| Document Type: | Thesis Book |
| Language: | English |
| Published: |
Newark
: University of Delaware Press
, [2026]
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| Series: | Studies in seventeenth- and eighteenth-century art and culture
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| Subjects: | |
| Online Access: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Author Notes: | Kathryn Desplanque |
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| 100 | 1 | |a Desplanque, Kathryn |e VerfasserIn |4 aut | |
| 240 | 1 | 0 | |a Art, commerce, and caricature: satirical images of artistic life in Paris, 1750-1850 |
| 245 | 1 | 0 | |a Inglorious artists |b art-world satire and the emergence of a capitalist art market in Paris, 1750-1850 |c Kathryn Desplanque |
| 263 | |a 2507 | ||
| 264 | 1 | |a Newark |b University of Delaware Press |c [2026] | |
| 300 | |a xviii, 317 Seiten |b Illustrationen | ||
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| 337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
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| 490 | 0 | |a Studies in seventeenth- and eighteenth-century art and culture | |
| 500 | |a Outgrowth of the author's thesis (doctoral)--Duke University, 2017, under the title: Art, commerce, and caricature : satirical images of artistic life in Paris, 1750-1850 | ||
| 500 | |a Includes bibliographical references and index | ||
| 502 | |b Dissertation |c Duke University |d 2017 | ||
| 520 | |a "Inglorious Artists traces the origins of the image of the starving artist to late eighteenth- and early nineteenth-century France, where practicing and aspiring visual artists mobilized the emerging genre of graphic satire to publish hundreds of satirical images that satirized the Paris art world. By examining many of these images, which have never before been studied or published, this book provides a new social history of the status of the artist, revealing the ways in which the starving artist trope was used to protest the emergence of an early capitalist art market and to distinguish artists and their work from an increasingly commercial world. During this period, a series of political revolutions brought the possibility of radical change in the French art world. Parisian artists struggled to keep pace with the emergence of modern financial speculative capitalism, transitioning away from an art system dominated by guild and corporate interest. We have neglected the complaints visual artists made about these changes, expressed in the medium most accessible to them: the graphic image. In examining this imagery for the first time, Inglorious Artists reveals that the emergence of our modern conception of the artist is far more conflicted than has been considered. This book is also freely available online as an open access digital edition"-- | ||
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| 650 | 0 | |a Artists |z France |z Paris |x Social conditions |y 18th century |2 DLC | |
| 650 | 0 | |a Artists |z France |z Paris |x Social conditions |y 19th century |2 DLC | |
| 650 | 0 | |a Art and society |z France |x History |y 18th century |2 DLC | |
| 650 | 0 | |a Art and society |z France |x History |y 19th century |2 DLC | |
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