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A comics studies reader

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Bibliographic Details
Document Type: Book
Language:English
Published: Jackson, Miss. : University Press of Mississippi , 2009
Edition:1. print.
Subjects:
Online Access:A comics studies reader
Author Notes:ed. by Jeet Heer and Kent Worcester
Table of Contents:
  • Why are comics still in search of cultural legitimization?
  • Thierry Groensteen
  • Why are comics still in search of cultural legitimization?
  • Thierry Groensteen
  • Rodolphe T(c)œpffer's aesthetic revolution
  • David Kunzle
  • How comics came to be : through the juncture of word and image from magazine gag cartoons to newspaper strips, tools for critical appreciation plus rare seldom witnessed historical facts
  • Robert C. Harvey
  • The "vulgar" comic strip
  • Gilbert Seldes
  • Excerpt from Seduction of the innocent
  • Fredric Wertham
  • William Gaines and the battle over EC Comics
  • Amy Kiste Nyberg
  • The comics debates internationally
  • John A. Lent
  • The definition of the superhero
  • Peter Coogan
  • Two boys from the Twin Cities
  • M. Thomas Inge
  • Caricature
  • David Carrier
  • Beyond comparison
  • W.J.T. Mitchell
  • The impossible definition
  • Thierry Groensteen
  • An art of tensions
  • Charles Hatfield
  • The arrow and the grid
  • Joseph Witek
  • The construction of space in comics
  • Pascal Lef(c)·vre
  • The acoustics of Manga
  • Robert S. Petersen
  • Ally Sloper : the first comics superstar?
  • Roger Sabin
  • Jackie and the problem of romance
  • Martin Barker
  • Home loving and without vices
  • Anne Rubenstein
  • Autobiography as authenticity
  • Bart Beaty
  • Manga versus Kiby¿shi
  • Adam L. Kern
  • Beyond Shoujo, blending gender
  • Fusami Ogi
  • The innocents march into history
  • Ariel Dorfman
  • The garden in the machine
  • Thomas Andrae
  • An examination of "Master Race"
  • John Benson,
  • The comics of Chris Ware
  • Gene Kannenberg, Jr.
  • Transcending comics : crossing the boundaries of the medium
  • Annalisa Di Liddo
  • History and graphic representation in Maus
  • Hillary Chute.
  • Rodolphe Töpffer's aesthetic revolution
  • David Kunzle
  • How comics came to be : through the juncture of word and image from magazine gag cartoons to newspaper strips, tools for critical appreciation plus rare seldom witnessed historical facts
  • Robert C. Harvey
  • The "vulgar" comic strip
  • Gilbert Seldes
  • Excerpt from Seduction of the innocent
  • Fredric Wertham
  • William Gaines and the battle over EC Comics
  • Amy Kiste Nyberg
  • The comics debates internationally
  • John A. Lent
  • The definition of the superhero
  • Peter Coogan
  • Two boys from the Twin Cities
  • M. Thomas Inge
  • Caricature
  • David Carrier
  • Beyond comparison
  • W.J.T. Mitchell
  • The impossible definition
  • Thierry Groensteen
  • An art of tensions
  • Charles Hatfield
  • The arrow and the grid
  • Joseph Witek
  • The construction of space in comics
  • Pascal Lefèvre
  • The acoustics of Manga
  • Robert S. Petersen
  • Ally Sloper : the first comics superstar?
  • Roger Sabin
  • Jackie and the problem of romance
  • Martin Barker
  • Home loving and without vices
  • Anne Rubenstein
  • Autobiography as authenticity
  • Bart Beaty
  • Manga versus Kibyōshi
  • Adam L. Kern
  • Beyond Shoujo, blending gender
  • Fusami Ogi
  • The innocents march into history
  • Ariel Dorfman
  • The garden in the machine
  • Thomas Andrae
  • An examination of "Master Race"
  • John Benson,
  • The comics of Chris Ware
  • Gene Kannenberg, Jr.
  • Transcending comics : crossing the boundaries of the medium
  • Annalisa Di Liddo
  • History and graphic representation in Maus
  • Hillary Chute.