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Style and satire : fashion in print 1777 - 1927
From the sky-high coiffures of Marie Antoinette to Victorian hoop skirts, from the sheer gowns of Pride and Prejudice era to the flat-chested 1920s flapper, Style and Satire tells the story of European fashion and its most extreme trends through lavish fashion plates and the glorious satirical print...
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| Main Authors: | |
|---|---|
| Document Type: | Book |
| Language: | English |
| Published: |
London
: V&A Publishing
, 2014
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Author Notes: | Catherine Flood and Sarah Grant |
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| 245 | 1 | 0 | |a Style and satire |b fashion in print 1777 - 1927 |c Catherine Flood and Sarah Grant |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London |b V&A Publishing |c 2014 | |
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| 520 | |a From the sky-high coiffures of Marie Antoinette to Victorian hoop skirts, from the sheer gowns of Pride and Prejudice era to the flat-chested 1920s flapper, Style and Satire tells the story of European fashion and its most extreme trends through lavish fashion plates and the glorious satirical prints they inspired. Beautifully printed, hand-colored fashion plates first appeared in magazines and for sale individually in the late 18th century. At the same time (and often by the same artists), satirical prints gloried in the absurdities of fashion, presenting an alternative, often humorously exaggerated, vision of the fashionable ideal. Both forms were a product of the same print market, and both documented modern life. Lavishly illustrated, 'Style and Satire' presents a witty and original history of fashion trends. Most prints are from the collection of the Victoria and Albert Museum | ||
| 520 | |a From the sky-high coiffures of Marie Antoinette to Victorian hoop skirts, from the sheer gowns of Pride and Prejudice era to the flat-chested 1920s flapper, Style and Satire tells the story of European fashion and its most extreme trends through lavish fashion plates and the glorious satirical prints they inspired. Beautifully printed, hand-colored fashion plates first appeared in magazines and for sale individually in the late 18th century. At the same time (and often by the same artists), satirical prints gloried in the absurdities of fashion, presenting an alternative, often humorously exaggerated, vision of the fashionable ideal. Both forms were a product of the same print market, and both documented modern life. Lavishly illustrated, 'Style and Satire' presents a witty and original history of fashion trends. Most prints are from the collection of the Victoria and Albert Museum | ||
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