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A Gentlewoman's Home : The Whole Art of Building, Furnishing, and Beautifying the Home
Jane Ellen Panton (1847–1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. First published in 1896, this is her guide to creating the 'dream house'. In it she draws on the experiences of Deborah and Dick, clients who sought her advice after...
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Main Author: | |
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Document Type: | Online Resource Book |
Language: | English |
Published: |
Cambridge
: Cambridge University Press
, 1896
Place of publication not identified : publisher not identified , 1896 |
Series: | Cambridge library collection. British and Irish History, 19th Century
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Online Access: | Volltext lizenzpflichtig |
Author Notes: | Jane Ellen Panton |
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245 | 1 | 2 | |a A Gentlewoman's Home |b The Whole Art of Building, Furnishing, and Beautifying the Home |c Jane Ellen Panton |
264 | 1 | |a Cambridge |b Cambridge University Press |c 1896 | |
264 | 1 | |a Place of publication not identified |b publisher not identified |c 1896 | |
300 | |a 1 Online-Ressource (470 pages) |b digital, PDF file(s) | ||
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490 | 0 | |a Cambridge library collection. British and Irish History, 19th Century | |
500 | |a Title from publisher's bibliographic system (viewed on 05 Oct 2015) | ||
520 | |a Jane Ellen Panton (1847–1923) was the second daughter of the artist William Powell Frith, and an expert on domestic issues. First published in 1896, this is her guide to creating the 'dream house'. In it she draws on the experiences of Deborah and Dick, clients who sought her advice after looking unsuccessfully for a suitable home. The book is based on the notion that turning an existing building into a dream house is impossible, and begins by offering advice on finding land and building on it to create a home that could be 'the cradle of the race', passed on to successive generations. Panton devotes a chapter to each of the different parts of the house, from the governess's rooms to the maids' quarters. Providing a revealing insight into domestic middle-class tastes and concerns in late nineteenth-century England, this book remains of interest to social historians | ||
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