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The lost museum : the Nazi conspiracy to steal the world's greatest works of art
pt. 1. A certain love of art. Vermeer's Astronomer, or, Hitler's blind spot -- The K(c)ơmmel Report, or, The Nazis' reply to Napoleon -- Hermann Goering, "friend of the arts" -- pt. 2. Anatomy of a pillage. The exemplary looting of the Rothschild Collections -- The Paul Ros...
Gespeichert in:
| VerfasserIn: | |
|---|---|
| Dokumenttyp: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
: BasicBooks
, 1997
|
| Ausgabe: | 1. ed. |
| Schlagwörter: | |
| Online Zugang: | Book review (H-Net) Verlagsangaben |
| Verantwortlich: | Hector Feliciano |
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| 100 | 1 | |8 1\p |a Feliciano Ramos, Héctor R. |d 1946- |0 (DE-588)173522602 |0 (DE-627)698434706 |0 (DE-576)134367286 |4 aut | |
| 240 | 1 | 3 | |a Le musée disparu <engl.> |
| 245 | 1 | 4 | |a The lost museum |b the Nazi conspiracy to steal the world's greatest works of art |c Hector Feliciano |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a New York, NY |b BasicBooks |c 1997 | |
| 300 | |a IX, 278 S. |b zahlr. Ill. | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Aus dem Franz. übers. - Orig. publ. in 1995 | ||
| 505 | 8 | |a pt. 1. A certain love of art. Vermeer's Astronomer, or, Hitler's blind spot -- The Kümmel Report, or, The Nazis' reply to Napoleon -- Hermann Goering, "friend of the arts" -- pt. 2. Anatomy of a pillage. The exemplary looting of the Rothschild Collections -- The Paul Rosenberg Gallery : modern and "degenerate" art for sale -- The Bernheim-Jeune Collection, or, The burning of The Jas de Bouffan -- David David-Weill, or, The patron stripped bare -- The Schloss Collection, or, Dutch painters for Hitler -- pt. 3. Art for sale. Visitors to the Jeu de Paume -- Business as usual : the Paris art market during the war -- Switzerland : the importance of being neutral -- pt. 4. Revenants. The found and the lost -- A short Swiss epilogue : purchased skeletons in the Kunstkammern -- Something new on the eastern front -- The purgatory of the MNRs -- Appendix A. The Schenker papers -- Appendix B. An interview with Alain Vernay. | |
| 520 | |a pt. 1. A certain love of art. Vermeer's Astronomer, or, Hitler's blind spot -- The K(c)ơmmel Report, or, The Nazis' reply to Napoleon -- Hermann Goering, "friend of the arts" -- pt. 2. Anatomy of a pillage. The exemplary looting of the Rothschild Collections -- The Paul Rosenberg Gallery : modern and "degenerate" art for sale -- The Bernheim-Jeune Collection, or, The burning of The Jas de Bouffan -- David David-Weill, or, The patron stripped bare -- The Schloss Collection, or, Dutch painters for Hitler -- pt. 3. Art for sale. Visitors to the Jeu de Paume -- Business as usual : the Paris art market during the war -- Switzerland : the importance of being neutral -- pt. 4. Revenants. The found and the lost -- A short Swiss epilogue : purchased skeletons in the Kunstkammern -- Something new on the eastern front -- The purgatory of the MNRs -- Appendix A. The Schenker papers -- Appendix B. An interview with Alain Vernay | ||
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